Robert Elfgen
des bien ich
April 16–July 26, 2008
Cologne
Monika Sprüth and Philomene Magers are delighted to present the first solo exhibition of Robert Elfgen (*1972 in Wesseling am Rhein, Germany) at their gallery in Cologne. After his studies at the Academy of Arts in Braunschweig (class of John Armleder) and at the Academy of Arts in Düsseldorf (class of Rosemarie Trockel), the artist realized solo exhibitions in Cologne (Simultanhalle), London (Westlondonprojects) and in Munich (Sprüth Magers Projects) as well as projects in public spaces. Robert Elfgen received the Peter-Mertes-Stipendium of the Bonner Kunstfonds, the studio scholarship of the Bonner Kunstverein and the award of the federal state NRW for young artists. Robert Elfgen lives and works in Cologne.
“If the bee disappeared from the face of the earth, mankind would survive four more years; no bees, no pollination, no animals, no humans …”
Albert Einstein describes the ostensibly innocuous role that the small insect plays in our ecosystem as a defining paradigm of our existence. Robert Elfgen’s solo show in Cologne “des bien ich” (“this is me, bee”) follows this thread and presents the “Bien” (“bee”/”to be”) as a metaphor for the relentlessly recurring questions of being.
The central piece of the exhibition is the “Bienenmann” (“the bee-man”): Dressed in a bee keeper’s suit and shoes he sits upright against the gallery wall, while an old beehive covers his head. Two large format tarsia works on either side of him show two facing and mutually mirroring greyhounds posed as guards. Two owls and two rabbits complete the symmetrical composition. The effect refers the objects to each other as well as to themselves: like two facing mirrors they reveal an abysmal infinity in an articulation of the beginning and end of all things.