Labyrinth shows a fragmentary, broken maze that might just as easily symbolize a building or garden. Labyrinthine structures or mazes also represent maximum confusion in classical iconography.

Formally and as objects, these devices are purely functional in nature and essentially dispense with formal design altogether—a structural counter-concept to the artistic, aesthetic form-finding process involved in creating sculptures and objects, one that relies on attention to composition and design, fragment and detail. Hanging suspended in the unusually high-ceilinged space at Sprüth Magers Window is Satellit 3, a sculpture that appears to be monitoring people on the street, seemingly mirroring the gaze of passersby.

The paintings hang high enough to be visible through the window. Scheibitz incorporates existing architectural elements with design details such as fabric coverings, for example, to effectively blur the line between space and sculpture.