Technologies of Relation
Group Exhibition
Massachusetts Museum of Contemporary Art, North Adams
Through July 25, 2026

Responding to the rapidly advancing technologies that are shaping our daily lives and social fabric, the artists in this exhibition examine how we relate to each other, to our devices, and to our future. They see the complexity of our relationships to the digital, avoiding the binary views that frame technology as good or bad, as tool or monster. Artists have been key to identifying the colonialist logic, racism, and violence embedded in and produced by corporate-developed technologies and datasets. Just as crucial as understanding these problematics, this exhibition offers visions of a technological future that is inclusive and liberatory.

Deep Cuts: Block Printing Across Cultures
Group Exhibition
Los Angeles County Museum of Art
Through September 13, 2026

This exhibition explores the world's oldest and most versatile method of making multiple images. More than 150 works from Asia, Europe, and the Americas present the medium as both a means of creative expression and a vehicle for mass production that enabled images and ideas to circulate widely. Textiles, prints, and books offer intricate patterns and striking imagery that reveal block printing’s global history, from the patterned fabrics of India to the illustrated books of the Kelmscott Press to modern artistic experiments by German Expressionist artists and contemporary makers. The exhibition also includes a section developed with Los Angeles–based Block Shop, highlighting how contemporary artists continue to reinterpret this enduring art form.

“Every Picture Somewhat of an Experiment”: Helen Frankenthaler Prints
Group Exhibition
Henry Art Gallery, University of Washington, Seattle
July 5, 2026–April 25, 2027

In 2023, the Henry Art Gallery received a transformative gift of prints and proofs through the Helen Frankenthaler Foundation’s Prints Initiative. Now on view at the Henry for the first time, these works trace the arc of Frankenthaler’s print career from early experiments to later technical innovations. Two recent works by Analia Saban extend Frankenthaler’s experiments into the present. Saban’s multidisciplinary practice explores how emerging technologies relate to traditional histories of art, sharing with Frankenthaler’s work a commitment to materiality, abstraction, and reconfiguring what a painting—or a print—is.

10 Years LA!
May 15–August 8, 2026
Los Angeles

Monika Sprüth and Philomene Magers are pleased to present 10 Years LA!, an exhibition celebrating the gallery’s decade-long presence in Los Angeles. Since opening its doors in February 2016, the gallery has featured solo and group exhibitions debuting new works by its iconic LA-based artists as well as major installations by artists from around the world, often bringing their work to the city for the very first time. Illustrating this expansive approach, 10 Years LA! fills not only the 10,000 square feet of the gallery at 5900 Wilshire Boulevard with works by a wide cross-section of Sprüth Magers artists, but also extends to the former Sizzler restaurant at 6145 Wilshire with an installation focusing on film and video.

10 Years LA! features the work of, among others, Kenneth Anger, Richard Artschwager, John Baldessari, Bernd & Hilla Becher, Gretchen Bender, Cao Fei, George Condo, Hanne Darboven, Thomas Demand, Philip-Lorca diCorcia, Thea Djordjadze, Lucy Dodd, Peter Fischli David Weiss, Sylvie Fleury, Cyprien Gaillard, Gilbert & George, Andreas Gursky, Nancy Holt, Jenny Holzer, Gary Hume, Anne Imhof, Robert Irwin, Arthur Jafa, Craig Kauffman, Karen Kilimnik, Joseph Kosuth, Barbara Kruger, David Lamelas, Louise Lawler, Mire Lee, Anthony McCall, Robert Morris, Reinhard Mucha, Senga Nengudi, David Ostrowski, Otto Piene, Michail Pirgelis, Gala Porras-Kim, Stephen Prina, Jon Rafman, Bridget Riley, Pamela Rosenkranz, Sterling Ruby, Ed Ruscha, Analia Saban, David Salle, Thomas Scheibitz, Andreas Schulze, Cindy Sherman, Stephen Shore, Martine Syms, Ryan Trecartin, Rosemarie Trockel, Nora Turato, Kaari Upson, Kara Walker, John Waters, Andro Wekua, and Andrea Zittel.

Sprüth Magers x Artadia

A Benefit Exhibition to Support the Next Generation of Artists
Thea Djordjadze, Lucy Dodd, Karen Kilimnik, Barbara Kruger, Louise Lawler, Pamela Rosenkranz, Analia Saban, Rosemarie Trockel
April 4–April 22, 2023
New York

Bringing together a group of outstanding female artists in an innovative and collaborative effort to support the next generation, Sprüth Magers is pleased to announce a benefit exhibition to raise funds for the non-profit organization Artadia. Through grantmaking, community-building and advocacy, Artadia strengthens the invaluable role visual artists play in our society.

The exhibition comprises influential contemporary voices across multiple generations, reflecting both the discourse on art, gender and power that is firmly embedded in Sprüth Magers’ history and its enduring support of pioneering female figures. Featured will be works by artists who are all part of the gallery’s dynamic roster, including Thea Djordjadze, Lucy Dodd, Karen Kilimnik, Barbara Kruger, Louise Lawler, Pamela Rosenkranz, Analia Saban and Rosemarie Trockel. All funds raised will go towards the impactful Artadia Awards program.

Analia Saban
Save As
February 25–April 10, 2021
Berlin

Save As presents Analia Saban’s remarkable woven canvases and Pleated Ink works in Germany for the first time, along with other new paintings and sculptures. As suggested in the title, which borrows from the computer function to “save as” one digital format or another, the artist's hybrid objects move between states of being, shifting in meaning as they do. Saban’s works point to the pervasiveness today of technological processes, and the increasingly porous lines between digital and analogue thinking, the physical and virtual worlds, and facts and fabrications.

Analia Saban
Pigmente
July 7–August 26, 2017
Berlin

A recent core interest for Analia Saban has been an investigation into the history of paint formulas and how they have shaped art history. She uncovers at an almost microscopic level the entwined histories of artists and their mediums. In these new works the use of pigment makes reference to historical styles and methods of painting, as well as borrowing from modern technologies. Pigmente, her fifth solo exhibition at the gallery, will run concurrently with Folds and Faults, a solo show at the Los Angeles gallery.

Analia Saban
Folds and Faults
June 28–August 19, 2017
Los Angeles

This exhibition of new work by Analia Saban extends the artist’s experimental, witty, and profound exploration into the ways in which artworks both enter into being and enter into dialogue with the world they inhabit. Across four recent series, the artist weaves together—literally, at times—medium and content, folding art and architectural references in with everyday concerns that range from lighthearted investigations to meditations on mortality.

Analia Saban
Interiors
February 27–March 28, 2015
London

Analia Saban has gained renown for work that playfully carves open the conventions of photography, painting and sculpture. Interiors, her third exhibition with Sprüth Magers and her first in the London gallery, evokes an array of ideas about how genre and media affect our perception of different artworks, and vice versa. Using the constituent parts of her media as her very subject matter, Saban constructs a dialogue between the conventions that delineate various genres and the manifestation of these characteristics in the anatomy, or "interior," of individual artworks.

Analia Saban
Bathroom Sink, Etc.
January 25–February 23, 2013
Berlin

Analia Saban subjects her works to deconstructive processes, pulling apart their layers and reassembling them in unconventional ways, revealing how art exists as both a physical and social construction. Continuing this exploration, the works on view in her third exhibition with Sprüth Magers, and her first at the Berlin gallery, reflect her latest lines of inquiry, including linkages between art and domestic space, as well as the potential for painting to evoke at once mundane and transcendent qualities.

Analia Saban
Wet Paintings in the Womb
March 28–May 19, 2007
Munich

Wet Paintings in the Womb is Analia Saban's first solo exhibition in Europe and presents new works from 2006 and 2007 that experiment with the relationship between canvas and paint. A student of conceptual artist John Baldessari, Saban's method of working is both artistic and scientific. She scrutinizes the process of creating a picture—indeed, she looks for that very element which makes it a picture.