Current Exhibitions

Nancy Holt – Mirrors of Light – Berlin

Nancy Holt
Mirrors of Light
November 25, 2021–February 5, 2022

Berlin

Sprüth Magers is pleased to announce the first solo exhibition by Nancy Holt at the Berlin gallery, featuring her iconic installation, Mirrors of Light I (1973–74). Throughout her practice, Holt was interested in the use of light as a medium, while simultaneously examining it as subject matter in its own right. In this installation, light is a conceptual entity and a physical reality, a practical resource and an aesthetic object. As is the case with the majority of Holt’s oeuvre, ​Mirrors of Light I creates an opportunity for self-examination through the perceptions that arise in the face of her work. 
Cao Fei – Cao Fei – Los Angeles

Cao Fei
October 8–December 22, 2021

Los Angeles

Sprüth Magers, Los Angeles is pleased to present a solo exhibition of work by Cao Fei that highlights the artist’s recent projects, presenting several of them in Los Angeles for the first time. Films and photographs from her feature-length films Nova (2019) and Asia One (2018), as well as photographs related to previous groundbreaking projects such as Haze and Fog (2013) and La Town (2014), will transform the Los Angeles gallery, transporting visitors through the artist’s reflections on the rapid urbanization of her native China in the wake of mass cultural, social and technological upheavals.
Thomas Scheibitz – Black Swan – London

Thomas Scheibitz
Black Swan
October 8–November 20, 2021

London

Black Swan is Thomas Scheibitz's first solo exhibition at the London gallery since 2010. In a practice that creates intrigue through a movement between the precipices of figuration and abstraction, Scheibitz looks to this liminal space, drawing from both art historical references and his vast archive of printed material to offer a complex visual of our time. The definition of the term and the exhibition title Black Swan describes a singular event that occurs unexpectedly, typically an occurrence that is considered to have a low probability but high impact, and only in hindsight is determined to have in fact been predictable. Thus, the title of the exhibition is a metaphor for the present time as well as for painting or the painting itself.
Pamela Rosenkranz – Healer – London

Pamela Rosenkranz
Healer
October 8–December 22, 2021

London

At her first solo exhibition at Sprüth Magers, London, Pamela Rosenkranz shows sensory and atmospheric works in which light, sound and color play an essential role. On the main floor, visible from outside through the large window front, as if in a terrarium, lives a robotic snake covered with kirigami scales. Shimmering paintings on mirrors and aluminum, painted with semi-transparent pale pink paint, reflect the green light projected from the ceiling. Flickering LED spotlights illuminate seemingly ephemeral objects resting on transparent pedestals. Materiality and message merge. In her oeuvre, Rosenkranz questions the certainties of authentic human experience, perceiving people as permeable membranes at the interface between nature and artificiality. Drawing on themes that we encounter in our everyday, visually overcharged lives, Rosenkranz creates links that allow us to make unexpected connections between objects and ideas, while at the same time unsettling us.