More than Human
Group Exhibition
Light Art Museum, Budapest
Through July 26, 2026

Rain falling upwards, electric paramecia and xenobots: the Light Art Museum’s fourth exhibition More Than Human has opened. Featuring nearly forty works, the exhibition presents spectacular installations, projections and immersive creations by world-renowned artists. It takes us into realms that provoke thought and, fundamentally challenging our anthropocentric worldview, offer inspiring alternative perspectives ranging from the beginnings of evolution to speculations about the future, from the molecular to interplanetary scales.

Anthony McCall
Solid Light
Oklahoma Contemporary, Oklahoma City
Through July 27, 2026

Anthony McCall: Solid Light, presented in collaboration with Tate, explores the intersection of cinema, sculpture and drawing through large-scale, immersive installations. A pioneering figure in experimental film and installation art, McCall transforms projected light into sculptural form, creating slowly evolving volumes of light that visitors can walk through, offering a fully captivating experience.

10 Years LA!
May 15–August 15, 2026
Los Angeles

Monika Sprüth and Philomene Magers are pleased to present 10 Years LA!, an exhibition celebrating the gallery’s decade-long presence in Los Angeles. Since opening its doors in February 2016, the gallery has featured solo and group exhibitions debuting new works by its iconic LA-based artists as well as major installations by artists from around the world, often bringing their work to the city for the very first time. Illustrating this expansive approach, 10 Years LA! fills not only the 10,000 square feet of the gallery at 5900 Wilshire Boulevard with works by a wide cross-section of Sprüth Magers artists, but also extends to the former Sizzler restaurant at 6145 Wilshire with an installation focusing on film and video.

10 Years LA! features the work of, among others, Kenneth Anger, Richard Artschwager, John Baldessari, Bernd & Hilla Becher, Gretchen Bender, Cao Fei, George Condo, Hanne Darboven, Thomas Demand, Philip-Lorca diCorcia, Thea Djordjadze, Lucy Dodd, Peter Fischli David Weiss, Sylvie Fleury, Cyprien Gaillard, Gilbert & George, Andreas Gursky, Nancy Holt, Jenny Holzer, Gary Hume, Anne Imhof, Robert Irwin, Arthur Jafa, Craig Kauffman, Karen Kilimnik, Joseph Kosuth, Barbara Kruger, David Lamelas, Louise Lawler, Mire Lee, Anthony McCall, Robert Morris, Reinhard Mucha, Senga Nengudi, David Ostrowski, Otto Piene, Michail Pirgelis, Gala Porras-Kim, Stephen Prina, Jon Rafman, Bridget Riley, Pamela Rosenkranz, Sterling Ruby, Ed Ruscha, Analia Saban, David Salle, Thomas Scheibitz, Andreas Schulze, Cindy Sherman, Stephen Shore, Martine Syms, Ryan Trecartin, Rosemarie Trockel, Nora Turato, Kaari Upson, Kara Walker, John Waters, Andro Wekua, and Andrea Zittel.

Seriously.
Curated by Nana Bahlmann
November 21, 2025–January 31, 2026
London

Monika Sprüth and Philomene Magers are pleased to present Seriously., a group exhibition curated by Nana Bahlmann, featuring over a hundred conceptual photographs, print media, and select films ranging from the 1960s to the present, which expose the absurdities of our world and its representations. Through visual wit, subversiveness, and even outright slapstick, these photographic experiments offer humorous conceptual investigations of how images are constructed and interpreted. Employing a range of strategies, from masquerade and role-play to the construction of inexplicable scenarios, unexpected juxtapositions, and idiosyncratic sculptural compositions, these works reveal the farcical and fantastical within the visual realm. In reframing our visual world through satire and playful mimicry, they create space for both reflection and amusement.

Seriously. features the work of, among others, Keith Arnatt, John Baldessari, Bernd and Hilla Becher, Lynda Benglis, Helen Chadwick, Robert Cumming, Thomas Demand, Philip-Lorca diCorcia, Braco Dimitrijević, Peter Fischli and David Weiss, Tom Friedman, Dan Graham, Rodney Graham, Scott Grieger, Aneta Grzeszykowska, Sigurður Guðmundsson, Andreas Gursky, Barbara Hammer, Rebecca Horn, Douglas Huebler, Astrid Klein, David Lamelas, Louise Lawler, Tom Marioni, Anthony McCall, Jonathan Monk, Peter Moore, Bruce Nauman, Dennis Oppenheim, Charles Ray, Andrea Robbins and Max Becher, Thomas Ruff, Ed Ruscha, Cindy Sherman, Stephen Shore, Santiago Sierra and Franz Erhard Walther, Roman Signer, Laurie Simmons, Robert Therrien, Rosemarie Trockel, Keiji Uematsu, Ger van Elk, John Waters, William Wegman, and Hannah Wilke.

Anthony McCall
Raised Voices
September 13–December 20, 2024
London

Sprüth Magers is pleased to present Raised Voices, an exhibition by Anthony McCall featuring the UK premiere of a new solid light work alongside drawings from throughout his career. McCall’s ‘solid light works’ occupy a space between cinema, sculpture and drawing, with beams of light creating sculptural forms as they are projected through mist within the space. The viewer becomes an active participant in the work, dissected by an undulating light that slowly shifts and changes. The exhibition coincides with two major solo shows of McCall’s work at Tate Modern and Guggenheim Bilbao.

Anthony McCall
February 22–March 31, 2018
London

Sprüth Magers presents a solo exhibition by British born, New York based, Anthony McCall, to coincide with a major survey of his work at The Hepworth Wakefield. On view in the lower galleries is the solid-light work Meeting You Halfway II (2009), as well as a selection of large-scale silver gelatin photographs from Smoke Screen (2017)—an entirely new series that marks a departure in the artist’s practice.

Anthony McCall
1970s Solid-Light Works
November 22, 2013–January 25, 2014
Berlin

Internationally recognized for groundbreaking work that occupies a space between sculpture, cinema and drawing, Anthony McCall’s practice has influenced a generation of artists working with film and installation. The exhibition at Sprüth Magers Berlin offers an unprecedented occasion to see three of the artist’s seminal ‘solid-light’ works that were produced in the early 1970s in New York, including Four Projected Movements (1975).

Anthony McCall
Early Performance Films
April 27–June 16, 2012
Berlin

The three films featured in this exhibition, Landscape for Fire, Landscape for White Squares and Earth Work, originally shot in 16mm, document a series of live, outdoor, sculptural performances. All three performances were made in collaboration with Exit, a British group of musicians and artists. The earliest film, Landscape for Fire, records a performance in which a group of participants ignited containers of petrol laid out in a grid pattern across the field. Their actions were meticulously organized according to ‘scores’, drawn up by the artist beforehand, also on display here in the exhibition

Time out of Mind
Sol LeWitt, Anthony McCall, Gordon Matta-Clark, Tony Conrad, Dorothea Rockburne
curated by Todd Levin
November 16, 2011–January 21, 2012
Berlin

Sprüth Magers Berlin is delighted to present a group exhibition of work by artists Tony Conrad, Sol LeWitt, Gordon Matta-Clark, Anthony McCall and Dorothea Rockburne, curated by Todd Levin. Presenting work from the 1970’s, the exhibition will examine a new form of drawing that purposely explored the concept of temporality. Through the works on display, the way in which they are presented, and the original ideas they propagate, the exhibition attempts to transpose the visitor to the flare of the New York art scene in the 1970's.

Anthony McCall
Works on Paper
February 28–March 26, 2011
London

Running concurrently with Anthony McCall's exhibition 'Vertical Works' at Ambika P3, 'Works on Paper' at Sprüth Magers London includes a selection of drawings and photographs from the last 40 years of McCall's career, and showcases two key works: Landscape for Fire (1972) and Five-Minute Drawing (1974).

Anthony McCall
Vertical Works
February 28–March 26, 2011
Sprüth Magers at Ambika P3, University of Westminster

Over the past five years McCall has explored solid-light works that are oriented vertically – projecting downwards from the ceiling onto the floor, forming 10-metre tall, conical ‘tents’ of light, with a base of about 4 metres. Here, the projected line-drawing on the floor is, quite literally, the footprint of the work, with the three-dimensional ‘body’ rising up from the floor and finally narrowing to a point at the lens of the projector, well-above one’s head. From the point-of-view of the observer, the vertical pieces create a profoundly different type of encounter. Four of these works, each of them showing in the UK for the first time, will be presented as a single installation in the Ambika P3 exhibition space.