David Ostrowski
Let me put it this way
Aranya Art Center, Beidaihe
May 26–November 23, 2025

Aranya Art Center North is pleased to present German artist David Ostrowski’s first solo museum exhibition Let me put it this way in China. Known for his reduced canvases, Ostrowski has produced a body of work that relentlessly questions the medium of painting and its constitutive elements – deliberately breaking with painterly codes and traditions. On some of his paintings there is simply a sprayed line while others show traces of dirt or glued-on paper remnants from his studio. Thus, the artist’s light-handed and complex approach to the non-motif opens up the space of the canvas for unique breaks in perception and an unexpected freedom of vision.

This exhibition is organized by Assistant Curator Gao Liangjiao and Associate Curator Wu Yiyang at the Aranya Art Center.

David Ostrowski
Leeres Wasser (Anti Drawings)
Verlag der Buchhandlung Walther und Franz König

The catalog Leeres Wasser (Anti Drawings) was published on the occasion of David Ostrowski's solo exhibition of the same title at Fig., Tokyo (April 9-May 14, 2023). With a text by Martin Germann in English, German, and Japanese on Ostrowski's completed body of works Anti Drawings (2021).

David Ostrowski
Parliament
June 4–July 26, 2024
New York

In David Ostrowski’s paintings, minimal gestures create maximum tension. His spray-painted lines break apart monochromatic backgrounds, both emphasizing and negating the painting’s flatness. Surfaces sometimes built from plain house paint reveal underlayers of studio detritus that complicate the presumed emptiness of his abstract compositions. Monika Sprüth and Philomene Magers are pleased to present Parliament, Ostrowski’s first exhibition at the New York gallery, which furthers the artist’s relentless questioning of the medium of painting and its constitutive elements via the recurring figure of the owl.

Mondi Possibili
Henni Alftan, John Baldessari, Cao Fei, Thomas Demand, Thea Djordjadze, Lucy Dodd, Robert Elfgen, Peter Fischli David Weiss, Sylvie Fleury, Jenny Holzer, Donald Judd, Karen Kilimnik, Barbara Kruger, Louise Lawler, David Ostrowski, Michail Pirgelis, Sterling Ruby, Thomas Scheibitz, Andreas Schulze, Hyun-Sook Song, Robert Therrien, Rosemarie Trockel, Kaari Upson, Andrea Zittel
August 31–September 14, 2023
Seoul

Mondi Possibili highlights the interplay between art and design and explores the many ways in which experimentation with material, technique and scale can reveal the hidden narratives, quiet drama and humor in the everyday items that furnish our lives as well as our imaginations. Connected through a paradigm of the possible, all artworks on show examine familiar objects – citing, celebrating, adapting or appropriating them – offering surprising, playful or unsettling approaches that open up a range of “possible worlds.” This will be the fourth edition of Sprüth Magers’ Mondi Possibili – first titled by Pasquale Leccese – showcasing significant themes in the selected artists’ works as well as the gallery’s longstanding heritage. Its three previous iterations were presented in 1989, 2006 and 2007 in Cologne, where the gallery’s history is firmly rooted, and art and design have intersected for many decades.

David Ostrowski
So kalt kann es nicht sein/ It can't be that cold
March 3–April 10, 2021
Berlin

It can’t be that cold is David Ostrowski’s first solo exhibition at the Berlin gallery. The artist’s most recent works show a further mining of painterly codes and non-motif, though they also mark his first systematic approach to the color gray. In an echo of his earlier white as well as black works, Ostrowski pursues the idea of total reduction and a deliberate break with painterly traditions and precepts. Once again he strives for the “zero point” of painting, fully cognizant of the fact that any attempt is bound to fail.

David Ostrowski
The Thin Red Line
November 28, 2018–January 19, 2019
London

The Thin Red Line is David Ostrowski’s very first solo show with Sprüth Magers in London, for which he has developed a new body of paintings and materials that serve as a meditation on the colour red.

The series was begun earlier this year as part of a new red phase in Ostrowski’s practice, which has focused previously on minimal interventions of blue spray paint and applied elements on largely white or neutral canvases. The colour red had appeared in Ostrowski’s work as early as 2009, but it has taken nearly ten years for him to return to the colour exclusively.

Michail Pirgelis, David Ostrowski
Nothing Happened
November 15–December 23, 2016
Los Angeles

Art knows no zero point. It has no concept of an outside place, no indefinite expression; it is impossible to represent 'nothing'. French cultural theorist Roland Barthes was the first to point this out. According to Barthes, every work carries with it the illusions of the culture in which it was made. The mesh of everyday myths is unavoidable; art history’s thicket of codes impenetrable. But for all its impossibility, the desire for this kind of zero point, the yearning to see without codes and connotations, remains essential. We all long for it. Astonishingly, the works of young Cologne artists Michail Pirgelis and David Ostrowski diligently strive toward this precise way of seeing.