Dire Straits
Group Exhibition
Gullringsbo Konstsamling
Hospitalet, Stockholm
Through April 11, 2027

This exhibition documents this moment in time: how artists are thinking, making and reimagining what could be. Drawn from the Gullringsbo collection, assembled over almost two decades with select recent additions as well as several loans from simpatico collections, the artworks assembled can be read as a new navigational system for uncharted waters. The artists included in Dire Straits propose, in their varied projects, a heterogeneous set of strategies for reckoning with the now. They explore how we got here, where we are and whisper ideas of where we may be going.

10 Years LA!
May 15–August 15, 2026
Los Angeles

Monika Sprüth and Philomene Magers are pleased to present 10 Years LA!, an exhibition celebrating the gallery’s decade-long presence in Los Angeles. Since opening its doors in February 2016, the gallery has featured solo and group exhibitions debuting new works by its iconic LA-based artists as well as major installations by artists from around the world, often bringing their work to the city for the very first time. Illustrating this expansive approach, 10 Years LA! fills not only the 10,000 square feet of the gallery at 5900 Wilshire Boulevard with works by a wide cross-section of Sprüth Magers artists, but also extends to the former Sizzler restaurant at 6145 Wilshire with an installation focusing on film and video.

10 Years LA! features the work of, among others, Kenneth Anger, Richard Artschwager, John Baldessari, Bernd & Hilla Becher, Gretchen Bender, Cao Fei, George Condo, Hanne Darboven, Thomas Demand, Philip-Lorca diCorcia, Thea Djordjadze, Lucy Dodd, Peter Fischli David Weiss, Sylvie Fleury, Cyprien Gaillard, Gilbert & George, Andreas Gursky, Nancy Holt, Jenny Holzer, Gary Hume, Anne Imhof, Robert Irwin, Arthur Jafa, Craig Kauffman, Karen Kilimnik, Joseph Kosuth, Barbara Kruger, David Lamelas, Louise Lawler, Mire Lee, Anthony McCall, Robert Morris, Reinhard Mucha, Senga Nengudi, David Ostrowski, Otto Piene, Michail Pirgelis, Gala Porras-Kim, Stephen Prina, Jon Rafman, Bridget Riley, Pamela Rosenkranz, Sterling Ruby, Ed Ruscha, Analia Saban, David Salle, Thomas Scheibitz, Andreas Schulze, Cindy Sherman, Stephen Shore, Martine Syms, Ryan Trecartin, Rosemarie Trockel, Nora Turato, Kaari Upson, Kara Walker, John Waters, Andro Wekua, and Andrea Zittel.

David Ostrowski
Parliament
June 4–July 26, 2024
New York

In David Ostrowski’s paintings, minimal gestures create maximum tension. His spray-painted lines break apart monochromatic backgrounds, both emphasizing and negating the painting’s flatness. Surfaces sometimes built from plain house paint reveal underlayers of studio detritus that complicate the presumed emptiness of his abstract compositions. Monika Sprüth and Philomene Magers are pleased to present Parliament, Ostrowski’s first exhibition at the New York gallery, which furthers the artist’s relentless questioning of the medium of painting and its constitutive elements via the recurring figure of the owl.

Mondi Possibili
Henni Alftan, John Baldessari, Cao Fei, Thomas Demand, Thea Djordjadze, Lucy Dodd, Robert Elfgen, Peter Fischli David Weiss, Sylvie Fleury, Jenny Holzer, Donald Judd, Karen Kilimnik, Barbara Kruger, Louise Lawler, David Ostrowski, Michail Pirgelis, Sterling Ruby, Thomas Scheibitz, Andreas Schulze, Hyun-Sook Song, Robert Therrien, Rosemarie Trockel, Kaari Upson, Andrea Zittel
August 31–September 14, 2023
Seoul

Mondi Possibili highlights the interplay between art and design and explores the many ways in which experimentation with material, technique and scale can reveal the hidden narratives, quiet drama and humor in the everyday items that furnish our lives as well as our imaginations. Connected through a paradigm of the possible, all artworks on show examine familiar objects – citing, celebrating, adapting or appropriating them – offering surprising, playful or unsettling approaches that open up a range of “possible worlds.” This will be the fourth edition of Sprüth Magers’ Mondi Possibili – first titled by Pasquale Leccese – showcasing significant themes in the selected artists’ works as well as the gallery’s longstanding heritage. Its three previous iterations were presented in 1989, 2006 and 2007 in Cologne, where the gallery’s history is firmly rooted, and art and design have intersected for many decades.

David Ostrowski
So kalt kann es nicht sein/ It can't be that cold
March 3–April 10, 2021
Berlin

It can’t be that cold is David Ostrowski’s first solo exhibition at the Berlin gallery. The artist’s most recent works show a further mining of painterly codes and non-motif, though they also mark his first systematic approach to the color gray. In an echo of his earlier white as well as black works, Ostrowski pursues the idea of total reduction and a deliberate break with painterly traditions and precepts. Once again he strives for the “zero point” of painting, fully cognizant of the fact that any attempt is bound to fail.

David Ostrowski
The Thin Red Line
November 28, 2018–January 19, 2019
London

The Thin Red Line is David Ostrowski’s very first solo show with Sprüth Magers in London, for which he has developed a new body of paintings and materials that serve as a meditation on the colour red.

The series was begun earlier this year as part of a new red phase in Ostrowski’s practice, which has focused previously on minimal interventions of blue spray paint and applied elements on largely white or neutral canvases. The colour red had appeared in Ostrowski’s work as early as 2009, but it has taken nearly ten years for him to return to the colour exclusively.

Michail Pirgelis, David Ostrowski
Nothing Happened
November 15–December 23, 2016
Los Angeles

Art knows no zero point. It has no concept of an outside place, no indefinite expression; it is impossible to represent 'nothing'. French cultural theorist Roland Barthes was the first to point this out. According to Barthes, every work carries with it the illusions of the culture in which it was made. The mesh of everyday myths is unavoidable; art history’s thicket of codes impenetrable. But for all its impossibility, the desire for this kind of zero point, the yearning to see without codes and connotations, remains essential. We all long for it. Astonishingly, the works of young Cologne artists Michail Pirgelis and David Ostrowski diligently strive toward this precise way of seeing.