Thomas Demand
The Object Lesson
Kaldor Public Art Project 38
Group Exhibition in an exhibition space created by Thomas Demand, with works by John Baldessari, Bernd & Hilla Becher, Gilbert & George, Andreas Gursky, Donald Judd, Frank Stella
Art Gallery of New South Wales, Sydney
Through January 11, 2026

For the 38th Kaldor Public Art Project, John Kaldor has invited Thomas Demand to create an extraordinary exhibition space in the Art Gallery of New South Wales’ Naala Badu building, specifically designed to display the John Kaldor Family Collection in a whole new light. Demand, who is well known for his photographs, has become deeply interested in architecture and exhibition design. For this project, he turns his attention to the artworks in the Kaldor Collection and to the Art Gallery’s SANAA-designed building. Demand is familiar with SANAA’s practice, having made a series of research visits to their Tokyo studio. This project has been closely informed by his research.

The project features renowned artists from the Kaldor Collection of over 200 works, including Francis Alÿs, Christo, Gilbert & George, Andreas Gursky, Sol LeWitt, Robert Rauschenberg, Ugo Rondinone and Saskia Olde Wolbers.

Minimal
Group Exhibition with Nancy Holt, Robert Irwin, Donald Judd, David Lamelas, Senga Nengudi and Bridget Riley
Bourse de Commerce, Paris
Through January 18, 2026

Bringing together an exceptional group of works from the Pinault Collection in dialogue with those of prestigious collections, Minimal traces the diversity of this movement since the 1960s, when a whole generation of artists (Dan Flavin, Robert Ryman, On Kawara, Agnes Martin, François Morellet, among others) initiated a radical approach to art. This exhibition is curated by Jessica Morgan, director of Dia Art Foundation (New York), who has selected over a hundred works by some forty international artists, including Nancy Holt, Robert Irwin, Donald Judd, David Lamelas, Senga Nengudi and Bridget Riley.

Mondi Possibili
Henni Alftan, John Baldessari, Cao Fei, Thomas Demand, Thea Djordjadze, Lucy Dodd, Robert Elfgen, Peter Fischli David Weiss, Sylvie Fleury, Jenny Holzer, Donald Judd, Karen Kilimnik, Barbara Kruger, Louise Lawler, David Ostrowski, Michail Pirgelis, Sterling Ruby, Thomas Scheibitz, Andreas Schulze, Hyun-Sook Song, Robert Therrien, Rosemarie Trockel, Kaari Upson, Andrea Zittel
August 31–September 14, 2023
Seoul

Mondi Possibili highlights the interplay between art and design and explores the many ways in which experimentation with material, technique and scale can reveal the hidden narratives, quiet drama and humor in the everyday items that furnish our lives as well as our imaginations. Connected through a paradigm of the possible, all artworks on show examine familiar objects – citing, celebrating, adapting or appropriating them – offering surprising, playful or unsettling approaches that open up a range of “possible worlds.” This will be the fourth edition of Sprüth Magers’ Mondi Possibili – first titled by Pasquale Leccese – showcasing significant themes in the selected artists’ works as well as the gallery’s longstanding heritage. Its three previous iterations were presented in 1989, 2006 and 2007 in Cologne, where the gallery’s history is firmly rooted, and art and design have intersected for many decades.

Crossroads: Kauffman, Judd and Morris
Donald Judd, Craig Kauffman, Robert Morris
January 19–March 31, 2018
London

Crossroads: Kauffman, Judd and Morris is Sprüth Magers’ second curated exhibition presenting Craig Kauffman’s work displayed alongside his influences and contemporaries. The show presents six works from Kauffman’s fertile period of 1966–71, when he addressed the issues of structure and form in painting, the use of industrial materials, painting’s relationship to the wall, and dematerialization. His work is contextualized by the inclusion of work by Donald Judd and Robert Morris, as well as supplemental materials from the Kauffman archives.

Donald Judd
Working Papers: Donald Judd Drawings, 1963–93
curated by Peter Ballantine
March 15–April 12, 2014
Berlin

All 35 of the drawings on display have some connection to Judd's objects. In the earliest ones he is still working out (or rejecting) sculptural ideas he would make himself. Later drawings are Judd's part of the fabrication process, a script or score-like relationship to the work's subsequent 'performance' by others – simultaneously the original of the work and not comparable to the real thing at all. For context (and comparison), the exhibition includes 48 previously unavailable fabricator's shop drawings and related correspondence.

Donald Judd
Working Papers: Donald Judd Drawings, 1963–93
curated by Peter Ballantine
January 13–February 18, 2012
London

Sprüth Magers London is pleased to announce the exhibition of 33 drawings by Donald Judd (1928-94), covering nearly the entire period he made three-dimensional work – after 1964 using an increasingly radical type of delegated fabrication. The show is curated by Peter Ballantine, who since 1969 has specialised in almost all aspects of the artist's work.

Donald Judd
May 9–July 29, 2006
Cologne

Donald Judd
O.T., 1969 O.T., 1989
March 30–April 28, 1993
Cologne