The research-based practice of Gala Porras-Kim (*1984) considers the relationships between historical objects and their many stakeholders over time, examining how the ways contemporary societies rank, classify, and care for such objects reveal their own priorities. These choices determine the conventions governing their collection, conservation, and display. By examining how institutional frameworks—classification systems, preservation protocols, and curatorial choices—shape the meanings assigned to objects, she exposes the distance between what an artifact was intended to do and what a museum makes of it. Central to this inquiry is an attention to the spiritual and ritual dimensions of objects that institutional custody tends to suppress: things made for ceremony, offering, or the afterlife, now held in storage or on permanent display.
Photo: Marco Zorzanello. Courtesy La Biennale di Venezia
Gala Porras-Kim
Applied Arts Pavilion, a special project of La Biennale di Venezia and the Victoria and Albert Museum, London
Arsenale, Sale d’Armi, Venice
Through November 22, 2026
Congratulations to Gala Porras-Kim who has been invited to the 61st International Art Exhibition of La Biennale di Venezia In Minor Keys by Koyo Kouoh. Gala Porras-Kim’s work will be on view at the Applied Arts Pavilion, a special project of La Biennale di Venezia and the Victoria and Albert Museum, London.
As written by co-curator Gabe Beckhurst Feijoo, Porras-Kim’s project brings together drawings, sculptures and video that reflect her ongoing engagement with frameworks of conservation and the processes by which museum practitioners shape the meaning and function of heritage objects in both destructive and generative ways.
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