Lucy Dodd (*1981) has created a painterly universe that can be understood as a radical reinterpretation of lyrical abstraction and action painting. Her works—biomorphic topographies of random and intentional marks—resemble painted evocations of cosmological and spiritual landscapes. They are characterized by an emphatically process-oriented approach to painting and the use of unusual color pigments, which often derive from nature and Dodd’s personal environment. Exhibitions by the artist, who lives on the Moray Coast, in Scotland, often incorporate elements of ritual and theater.
Material Witness
Group Exhibition
Rubell Museum, Washington, DC
Through November 30, 2026
Material Witness presents 30 of today’s most compelling and innovative artists employing non-traditional materials and processes. Squid ink, Coca-Cola, ostrich eggs, anointing oil, lipstick, discarded metal, and animal hides are several of the preformed, natural, and unnatural mediums incorporated into three-dimensional works that expand upon the storied legacy of assemblage—a critical approach to artmaking that was first formalized in the 1961 exhibition The Art of Assemblage at New York’s Museum of Modern Art.
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