Michail Pirgelis

Michail Pirgelis. Photo: Mathias Schmitt

 

The work of Michail Pirgelis (*1976) updates the traditions of post-minimalism, the readymade and conceptual art while simultaneously resisting them. His process usually begins with found materials from aircraft cemeteries in California and Arizona, where disused passenger planes wait to be dismantled and recycled. The Cologne-based artist explores the limits of our understanding of objects, while radically expanding our experience of the sculptural.

 

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The first thing one notices in Pirgelis’s works is their subtle play with the aura of his found materials—materials that could both be considered industrial waste products or civilizational fragments. Larger than life metal objects lean against the walls like strange relics. Large-scale wall works with scratches, traces of paint and varnish have the look of heavy paintings. Floorboards with drilled holes and traces of carpet recall sections of a heavily used studio floor.

Pirgelis makes surprisingly small changes to the materials he finds, leaving the painted surfaces of most of his objects as he found them. He sometimes sands and polishes certain sections, partially removes logos and lettering or exposes rivet patterns. But essentially, the viewer bears witness to a surface marked by signs of wear and weather, by the sun and desert storms over the aircraft cemeteries. These are complex aesthetic surfaces with obvious painterly references, and the artist presents the objects as a form of found abstraction.

Pirgelis’s works derive their forceful presence from a fundamental self-questioning. The objects are not invented or produced, or even labeled in any way by the artist. Nor are they readymades in a strictly post-Duchampian sense, since the objects’ material and form have become entirely detached from their former function, making it almost impossible to discern their origin. The materiality of the works seems strangely familiar, and yet it is impossible to say why or what exactly is familiar about them. They are objects characterized by a deep-seated uncertainty: an uncertainty that leads them to thwart their own objectness and situate themselves on the threshold of non-objectness.

Pirgelis’s oeuvre defies conventional strategies of considering the artwork with startling consistency. Apart from obvious references to minimalism, post-minimalism, and readymades, some of these works recall Gordon Matta-Clark’s heroic dissections of homes and factory buildings or Rosemarie Trockel’s psychosocially charged objects. And yet they still come across as enigmatically uncategorizable. The urgent exclusion of sculptural knowledge in these works triggers a moment of confusion or disquiet in the viewer. What comes into play is an aesthetics of the indefinable, a sensory effect somewhere between rebellion and the sublime. Not least it accounts for a certain beauty—a beauty of emptiness, of things lived and lost, of semantic abandonment and contingency.

 

 

David Ostrowski & Michail Pirgelis: To Lose
Leopold-Hoesch-Museum, Düren, March 6–May 29, 2016

Works
Michail Pirgelis
Michail Pirgelis
Among the park, 2006

Michail Pirgelis
Among the park, 2006
Aluminium, titanium, lacquer, fibreglass, belts
880 × 380 × 410 cm
346 1/2 × 149 5/8 × 161 3/8 inches

More views
Michail Pirgelis
Michail Pirgelis
The Modernist, 2019

Michail Pirgelis
The Modernist, 2019
Fibreglass, aluminium, titan, lacquer
215 × 277 × 35 cm
84 5/8 × 109 × 13 7/8 inches

More views
Michail Pirgelis
Michail Pirgelis
Closed Casino, 2019

Michail Pirgelis
Closed Casino, 2019
Fibreglass, aluminium, titanium, lacquer
305 × 267 × 15 cm
120 × 105 1/8 × 6 inches

More views
Michail Pirgelis
Introverse Arrangements
Installation view, BRAUNSFELDER, Cologne, June 6–August 3, 2019

Michail Pirgelis
Introverse Arrangements, installation view, BRAUNSFELDER, Cologne, 2019
Photo: Mareike Tocha

Michail Pirgelis
Michail Pirgelis
Italian Radio, 2019

Michail Pirgelis
Italian Radio, 2019
Aluminium, titanium, lacquer
71 × 95 × 12.5 cm
28 × 37 3/8 × 5 inches

More views
Michail Pirgelis
Michail Pirgelis
Second Parcours, 2019

Michail Pirgelis
Second Parcours, 2019
Aluminium, titanium, lacquer
134 × 85 × 4 cm
52 3/4 × 33 1/2 × 1 5/8 inches

More views
Michail Pirgelis
Michail Pirgelis
PM, 2014

Michail Pirgelis
PM, 2014
Aluminium, titanium, lacquer
84.5 × 57.5 × 16.5 cm
33 1/4 × 22 5/8 × 6 1/2 inches

More views
Michail Pirgelis
Michail Pirgelis
The Houses III, 2019

Michail Pirgelis
The Houses III, 2019
Aluminium, titanium, lacquer
99 × 90 × 5 cm
39 × 35 3/8 × 2 inches

More views
Michail Pirgelis
Michail Pirgelis
Pawn House, 2019

Michail Pirgelis
Pawn House, 2019
Fibreglass, alumium
182 × 203 × 30 cm
71 5/8 × 80 × 11 7/8 inches

More views
Michail Pirgelis
Michail Pirgelis
When it is called moment, 2013

Michail Pirgelis
When it is called moment, 2013
Aluminium, titanium, lacquer
260 × 482 × 185 cm
102 3/8 × 189 3/4 × 72 7/8 inches

More views
Michail Pirgelis
Michail Pirgelis
Kapsel , 2010

Michail Pirgelis
Kapsel 1, 2010
Fiberglass, aluminum, titanium, lacquer
203 × 102 × 99 cm
80 × 40 1/8 × 39 inches

More views
Michail Pirgelis
Michail Pirgelis
Trading News, 2015

Michail Pirgelis
Trading News, 2015
Aluminium, titanium, laquer
184 × 145 × 4 cm
72 3/8 × 57 × 1 5/8 inches

More views
Michail Pirgelis
Michail Pirgelis
Last Call, 2018

Michail Pirgelis
Last Call, 2018
Aluminium, titanium, lacquer
273 × 439 × 4 cm
107 1/2 × 172 7/8 × 1 5/8 inches

More views
Michail Pirgelis
Michail Pirgelis
Die, 2013

Michail Pirgelis
Die, 2013
Aluminium, lacquer
202 × 202 × 50 cm
79 1/2 × 79 1/2 × 19 3/4 inches

More views
Michail Pirgelis
Michail Pirgelis
Third Aerialist, 2017

Michail Pirgelis
Third Aerialist, 2017
Aluminium, titanium, lacquer
275 × 346 × 185 cm
108 1/4 × 136 1/8 × 72 7/8 inches

More views
Michail Pirgelis
Michail Pirgelis
Memory Games, 2017

Michail Pirgelis
Memory Games, 2017
Aluminium, titanium, lacquer
414 × 395 × 120 cm
163 × 155 1/2 × 47 1/4 inches

ANTI- Athens Biennale, Athens, installation view,
October 26 – December 9, 2018

More views
Details
Michail Pirgelis

Michail Pirgelis
Among the park, 2006
Aluminium, titanium, lacquer, fibreglass, belts
880 × 380 × 410 cm
346 1/2 × 149 5/8 × 161 3/8 inches

Michail Pirgelis
Among the park, 2006
Michail Pirgelis
Michail Pirgelis

Michail Pirgelis
Among the park, installation view, Kunstakademie Düsseldorf, Dusseldorf, 2006

Michail Pirgelis
Among the park, Installation view, Art Unlimited, Basel,, 2015
Michail Pirgelis
Michail Pirgelis

Michail Pirgelis
Among the park, installation view, Art Basel/Art Unlimited, Basel, 2015

Michail Pirgelis
Among the park, Installation view, Art Unlimited, Basel,, 2015
Michail Pirgelis
Michail Pirgelis

Michail Pirgelis
Among the park, installation view, Art Basel/Art Unlimited, Basel, 2015

Michail Pirgelis
Among the park, Installation view, Art Unlimited, Basel,, 2015
Michail Pirgelis
Michail Pirgelis

Michail Pirgelis
Among the park, 2006 (detail)

Michail Pirgelis
Among the park, Installation view, Art Unlimited, Basel,, 2015
Michail Pirgelis
Michail Pirgelis

Michail Pirgelis
Among the park, 2006 (detail)

Michail Pirgelis
Among the park, Installation view, Art Unlimited, Basel,, 2015
Michail Pirgelis
Michail Pirgelis

Michail Pirgelis
Among the park, 2006 (detail)

Michail Pirgelis
Among the park, Installation view, Art Unlimited, Basel,, 2015
Michail Pirgelis
Michail Pirgelis

Michail Pirgelis
Among the park, 2006 (detail)

Michail Pirgelis
Among the park, Installation view, Art Unlimited, Basel,, 2015
Michail Pirgelis

Michail Pirgelis
The Modernist, 2019
Fibreglass, aluminium, titan, lacquer
215 × 277 × 35 cm
84 5/8 × 109 × 13 7/8 inches

Michail Pirgelis
The Modernist, 2019
Michail Pirgelis
Michail Pirgelis

Michail Pirgelis
The Modernist, 2019

Michail Pirgelis
The Modernist, 2019
Michail Pirgelis
Michail Pirgelis

Michail Pirgelis
The Modernist, 2019

Michail Pirgelis
The Modernist, 2019
Michail Pirgelis
Michail Pirgelis

Michail Pirgelis
The Modernist, 2019 (detail)

Michail Pirgelis
The Modernist, 2019
Michail Pirgelis
Michail Pirgelis

Michail Pirgelis
The Modernist, 2019 (detail)

Michail Pirgelis
The Modernist, 2019
Michail Pirgelis

Michail Pirgelis
Closed Casino, 2019
Fibreglass, aluminium, titanium, lacquer
305 × 267 × 15 cm
120 × 105 1/8 × 6 inches

Michail Pirgelis
Closed Casino, 2019
Michail Pirgelis
Michail Pirgelis

Michail Pirgelis
Closed Casino, 2019

Michail Pirgelis
Closed Casino, 2019
Michail Pirgelis
Michail Pirgelis

Michail Pirgelis
Closed Casino, 2019

Michail Pirgelis
Closed Casino, 2019
Michail Pirgelis
Michail Pirgelis

Michail Pirgelis
Closed Casino, 2019 (detail)

Michail Pirgelis
Closed Casino, 2019
Michail Pirgelis

Michail Pirgelis
Introverse Arrangements, installation view, BRAUNSFELDER, Cologne, 2019
Photo: Mareike Tocha

Introverse Arrangements
Installation view, BRAUNSFELDER, Cologne, June 6–August 3, 2019
Michail Pirgelis

Michail Pirgelis
Italian Radio, 2019
Aluminium, titanium, lacquer
71 × 95 × 12.5 cm
28 × 37 3/8 × 5 inches

Michail Pirgelis
Italian Radio, 2019
Michail Pirgelis
Michail Pirgelis

Michail Pirgelis
Italian Radio, 2019

Michail Pirgelis
Italian Radio, 2019
Michail Pirgelis
Michail Pirgelis

Michail Pirgelis
Italian Radio, 2019

Michail Pirgelis
Italian Radio, 2019
Michail Pirgelis
Michail Pirgelis

Michail Pirgelis
Italian Radio, 2019 (detail)

Michail Pirgelis
Italian Radio, 2019
Michail Pirgelis

Michail Pirgelis
Second Parcours, 2019
Aluminium, titanium, lacquer
134 × 85 × 4 cm
52 3/4 × 33 1/2 × 1 5/8 inches

Michail Pirgelis
Second Parcours, 2019
Michail Pirgelis
Michail Pirgelis

Michail Pirgelis
Second Parcours, 2019

Michail Pirgelis
Second Parcours, 2019
Michail Pirgelis
Michail Pirgelis

Michail Pirgelis
Second Parcours, 2019

Michail Pirgelis
Second Parcours, 2019
Michail Pirgelis

Michail Pirgelis
PM, 2014
Aluminium, titanium, lacquer
84.5 × 57.5 × 16.5 cm
33 1/4 × 22 5/8 × 6 1/2 inches

Michail Pirgelis
PM, 2014
Michail Pirgelis
Michail Pirgelis

Michail Pirgelis
PM, 2014

Michail Pirgelis
PM, 2014
Michail Pirgelis

Michail Pirgelis
The Houses III, 2019
Aluminium, titanium, lacquer
99 × 90 × 5 cm
39 × 35 3/8 × 2 inches

Michail Pirgelis
The Houses III, 2019
Michail Pirgelis
Michail Pirgelis

Michail Pirgelis
The Houses III, 2019

Michail Pirgelis
The Houses III, 2019
Michail Pirgelis
Michail Pirgelis

Michail Pirgelis
The Houses III, 2019

Michail Pirgelis
The Houses III, 2019
Michail Pirgelis
Michail Pirgelis

Michail Pirgelis
The Houses III, 2019

Michail Pirgelis
The Houses III, 2019
Michail Pirgelis

Michail Pirgelis
Pawn House, 2019
Fibreglass, alumium
182 × 203 × 30 cm
71 5/8 × 80 × 11 7/8 inches

Michail Pirgelis
Pawn House, 2019
Michail Pirgelis
Michail Pirgelis

Michail Pirgelis
Pawn House, 2019

Michail Pirgelis
Pawn House, 2019
Michail Pirgelis
Michail Pirgelis

Michail Pirgelis
Pawn House, 2019

Michail Pirgelis
Pawn House, 2019
Michail Pirgelis
Michail Pirgelis

Michail Pirgelis
Pawn House, 2019 (detail)

Michail Pirgelis
Pawn House, 2019
Michail Pirgelis

Michail Pirgelis
When it is called moment, 2013
Aluminium, titanium, lacquer
260 × 482 × 185 cm
102 3/8 × 189 3/4 × 72 7/8 inches

Michail Pirgelis
When it is called moment, 2013
Michail Pirgelis
Michail Pirgelis

Michail Pirgelis
When it is called moment, installation view, Sprüth Magers, February 7-March 8, 2014

Michail Pirgelis
When it is called moment, 2013
Michail Pirgelis
Michail Pirgelis

Michail Pirgelis
When it is called moment, 2013 (detail)

Michail Pirgelis
When it is called moment, 2013
Michail Pirgelis

Michail Pirgelis
Kapsel 1, 2010
Fiberglass, aluminum, titanium, lacquer
203 × 102 × 99 cm
80 × 40 1/8 × 39 inches

Michail Pirgelis
Kapsel , 2010
Michail Pirgelis
Michail Pirgelis

Michail Pirgelis
Kapsel 1, 2010

Michail Pirgelis
Kapsel 1, 2010
Michail Pirgelis

Michail Pirgelis
Trading News, 2015
Aluminium, titanium, laquer
184 × 145 × 4 cm
72 3/8 × 57 × 1 5/8 inches

Michail Pirgelis
Trading News, 2015
Michail Pirgelis
Michail Pirgelis

Michail Pirgelis
Trading News, 2015

Michail Pirgelis
Trading News, 2015
Michail Pirgelis
Michail Pirgelis

Michail Pirgelis
Trading News, 2015

Michail Pirgelis
Trading News, 2015
Michail Pirgelis
Michail Pirgelis

Michail Pirgelis
Trading News, 2015 (detail)

Michail Pirgelis
Trading News, 2015
Michail Pirgelis

Michail Pirgelis
Last Call, 2018
Aluminium, titanium, lacquer
273 × 439 × 4 cm
107 1/2 × 172 7/8 × 1 5/8 inches

Michail Pirgelis
Last Call, 2018
Michail Pirgelis
Michail Pirgelis

Michail Pirgelis
Last Call, 2018

Michail Pirgelis
Last Call, 2018
Michail Pirgelis
Michail Pirgelis

Michail Pirgelis
Last Call, 2018

Michail Pirgelis
Last Call, 2018
Michail Pirgelis

Michail Pirgelis
Die, 2013
Aluminium, lacquer
202 × 202 × 50 cm
79 1/2 × 79 1/2 × 19 3/4 inches

Michail Pirgelis
Die, 2013
Michail Pirgelis
Michail Pirgelis

Michail Pirgelis
Die, 2013

Michail Pirgelis
Die, 2013
Michail Pirgelis
Michail Pirgelis

Michail Pirgelis
Die, 2013

Michail Pirgelis
Die, 2013
Michail Pirgelis
Michail Pirgelis

Michail Pirgelis
Die, 2013 (detail)

Michail Pirgelis
Die, 2013
Michail Pirgelis
Michail Pirgelis

Michail Pirgelis
Die, 2013 (detail)

Michail Pirgelis
Die, 2013
Michail Pirgelis
Michail Pirgelis

Michail Pirgelis
Die, 2013
Adopted, installation view, Sprüth Magers, February 7-March 8, 2014

Michail Pirgelis
Die
Michail Pirgelis
Michail Pirgelis

Michail Pirgelis
Die, 2013
Adopted, installation view, Sprüth Magers, February 7-March 8, 2014

Michail Pirgelis
Die
Michail Pirgelis

Michail Pirgelis
Third Aerialist, 2017
Aluminium, titanium, lacquer
275 × 346 × 185 cm
108 1/4 × 136 1/8 × 72 7/8 inches

Michail Pirgelis
Third Aerialist, 2017
Michail Pirgelis
Michail Pirgelis

Michail Pirgelis
Third Aerialist, 2017
Installation view, Studio Michail Pirgelis, Cologne

Michail Pirgelis
Third Aerialist, 2017
Michail Pirgelis
Michail Pirgelis

Michail Pirgelis
Third Aerialist, 2017
Ausbruch aus der Fläche. Das Origami-Prinzip in der Kunst, Marta Herford, Herford, Germany,
installation view, February 24-June 3, 2018

Michail Pirgelis
Third Aerialist, 2017
Michail Pirgelis
Michail Pirgelis

Michail Pirgelis
Third Aerialist, 2017
Ausbruch aus der Fläche. Das Origami-Prinzip in der Kunst, Marta Herford, Herford, Germany,
installation view, February 24-June 3, 2018

Michail Pirgelis
Third Aerialist, 2017
Michail Pirgelis
Michail Pirgelis

Michail Pirgelis
Third Aerialist, 2017 (detail)

Michail Pirgelis
Third Aerialist, 2017
Michail Pirgelis

Michail Pirgelis
Memory Games, 2017
Aluminium, titanium, lacquer
414 × 395 × 120 cm
163 × 155 1/2 × 47 1/4 inches

ANTI- Athens Biennale, Athens, installation view,
October 26 – December 9, 2018

Michail Pirgelis
Memory Games, 2017
Michail Pirgelis
Michail Pirgelis

Michail Pirgelis
Memory Games, 2017
Ausbruch aus der Fläche, Das Origami-Prinzip in der Kunst, Marta Herford, Herford, Germany,
installation view, February 24-June 3, 2018

Michail Pirgelis
Memory Games, 2018
Michail Pirgelis
Michail Pirgelis

Michail Pirgelis
Memory Games, 2017
Ausbruch aus der Fläche, Das Origami-Prinzip in der Kunst, Marta Herford, Herford, Germany,
installation view, February 24-June 3, 2018

Michail Pirgelis
Memory Games, 2018
Michail Pirgelis
Michail Pirgelis

Michail Pirgelis
Memory Games, 2017
Ausbruch aus der Fläche, Das Origami-Prinzip in der Kunst, Marta Herford, Herford, Germany,
installation view, February 24-June 3, 2018

Michail Pirgelis
Memory Games, 2018
Details
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Current and Upcoming
Michail Pirgelis
Photo by Christian Andersen

Depth over Distance
Michail Pirgelis
Gewölbe, Cologne
September 3–September 6, 2020

Laura Dechenaud
Hanni Kamaly
Louis Mason
David Ostrowski
Michail Pirgelis

Michail Pirgelis
Bon Voyage!
Ludwig Forum für internationale Kunst, Aachen
November 13, 2020-April 11, 2021

In light of recent developments regarding the coronavirus (COVID-19), exhibitions, events and talks are subject to change.

The exhibition invites visitors to travel off the beaten tourist track. Included in the luggage are personal challenges, political and climatic borderline experiences, fictitious and virtual journeys in the mind and the last journey to the afterlife, which does not require a suitcase.
Curated by Alexandra Kolossa

Link
Michail Pirgelis
Michail Pirgelis, Silly Season (2019)
Courtesy Sprüth Magers
Exhibitions at Sprüth Magers
Michail Pirgelis

Michail Pirgelis, David Ostrowski
Nothing Happened
November 15–December 23, 2016
Los Angeles

Art knows no zero point. It has no concept of an outside place, no indefinite expression; it is impossible to represent 'nothing'. French cultural theorist Roland Barthes was the first to point this out. According to Barthes, every work carries with it the illusions of the culture in which it was made. The mesh of everyday myths is unavoidable; art history’s thicket of codes impenetrable. But for all its impossibility, the desire for this kind of zero point, the yearning to see without codes and connotations, remains essential. We all long for it. Astonishingly, the works of young Cologne artists Michail Pirgelis and David Ostrowski diligently strive toward this precise way of seeing.

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Michail Pirgelis
Adopted
February 7–March 8, 2014
Berlin

In 1935 Walter Benjamin coined the term aura, a description of an aesthetic experience that was difficult to convey in words, which he had encountered when observing specific objects: a kind of atmospheric condensing, which seemingly revealed the essence of the objects, a simultaneous feeling of great proximity and distance. The works in Adopted, the new exhibition by Michail Pirgelis at Sprüth Magers in Berlin, tend to conjure up Benjamin’s notion of the aura.

Michail Pirgelis
Michail Pirgelis

Michail Pirgelis
Los Angeles
April 6–May 7, 2011
London

Since 2003, Pirgelis has made frequent visits to the ‘boneyards’ of Arizona and California, the now legendary resting places and holding facilities of scores of obsolete aircraft and flight-related paraphernalia. The planes either await re-deployment or are stripped piece-by-piece of their highly valuable parts which are incorporated back into other still viable vessels, with some craft remaining little more than carcasses. Pirgelis’ sculptures are often carefully hybridised amalgams of these incongruous aircraft remnants.

Press

Nürnbergs versteckte Schönheit
Süddeutsche Zeitung, article by Olaf Przybilla, October 10, 2019

DC Open: 10 Highlights des Kunstwochenendes in Köln & Düsseldorf
Monopol, September 8, 2019

Neue Ausstellung im Marta: Kunst nach dem Origami-Prinzip
Neue Westfälische, article by Ralf Bittner, February 23, 2018

David Ostrowski and Michail Pirgelis: Nothing Happened, Sprüth Magers Los Angeles
Art Review, article by Jonathan T.D. Neil, January & February 2017

Michail Pirgelis and David Ostrowski’s visual affinities come into focus
Wallpaper, article by Elly Parsons, November 25, 2016

David Ostrowski and Michail Pirgelis “To Lose” at Leopold Hoesch Museum, Düren
Mousse, article by Daniel Schreiber, May 12, 2016

Fasten Your Seatbelt
Intersection, article by Robert Grunenberg, January 2015

Interview: Michail Pirgelis
Artfridge, interview by Anna-Lena Werner, April 24, 2014

Artist of the Week 135: Michail Pirgelis
The Guardian, article by Skye Sherwin, April 22, 2011

Biography

Michail Pirgelis (*1976, Essen) lives in Cologne. Solo exhibitions include Braunsfelder, Cologne (2019, with Ruth Wolf-Rehfeldt), Leopold-Hoesch-Museum, Dueren (2016, with David Ostrowski), Autocenter Berlin (2015), and Artothek, Cologne (2011). In addition his work has been part of several group exhibitions such as Ludwig Forum, Aachen (forthcoming October 2020), DuMont Kunsthalle, Cologne (2019), Kunsthalle Nuremberg (2019), Haus N, Athens (2019), Riot Gent (2019), Athens Biennale (2018), Kunstverein Reutlingen (2018), Marta Herford (2018), Rubell Family Collection, Miami (2015), Istanbul Modern (2014), Bundeskunsthalle Bonn (2013), Museum Morsbroich, Leverkusen (2012), Thessaloniki Biennale (2011), Kunstmuseum Bonn (2010), and Stadtmuseum Dusseldorf (2005). Pirgelis was shortlisted for DESTE Prize, Athens and 5×5, Castelló (both 2013). Numerous awards and fellowships include the Berlin Fellowship from Akademie der Künste, Berlin (2013), the Audi Art Award for ‘New Positions’ at Art Cologne (2010), the Adolf Loos Prize from the Van den Valentyn Foundation, Cologne (its first recipient ever, in 2008), and the Villa Romana Prize, Florence (2007).

Education
2003–09 Kunstakademie Düsseldorf, Dusseldorf, Meisterschüler Prof. Rosemarie Trockel
Awards, Grants and Fellowships
2015 Nominated for Hans-Purrmann Preis, Speyer
2013 Nominated for Deste Prize 2013, Athens
2013 Nominated for 5x5 Castellò
2013 Fellowship, Akademie der Künste, Berlin
2010 Art Cologne Audi Art Award for New Positions, Cologne
2010 Schloss Ringenberg-Stipendium, Hamminkeln
2008 Adolf Loos-Preis, Cologne
2007 Villa Romana-Preis, Florence
Public Collections
Braunsfelder Family Collection, Cologne
Joe Nahmad Contemporary Art LLC, New York
Rubell Family Collection, Miami
Sammlung zeitgenössischer Kunst der Bundesrepublik Deutschland
Stiftung Museum Kunstpalast, Dusseldorf