Pamela Rosenkranz
Liquid Body
Stedelijk Museum, Amsterdam
Through August 24, 2025

Liquid Body is the first solo exhibition in The Netherlands by Pamela Rosenkranz. Known for her immersive environments, Rosenkranz transforms the museum into a charged sensory field, where the distinction between perception and matter dissolves, and light behaves as if it were thought itself. In a space bathed in a green and blue glow—suggestive of synthetic ecologies and unearthly atmospheres—painting exists not just as surface, but as a living system where presence and perception interact.

(Un)real
Group Exhibition
Kunsten Museum of Modern Art Aalborg
Through October 19, 2025

Art is not just about objects or phenomena. Art also represents something – even when it does not depict something we can recognise. The exhibition (Un)real features interpretations by various artists of reality and of the notions we form in our encounter with works of art and reality. The fulcrum of the exhibition comprises Ai Weiwei’s gigantic trees rising from the marble floor. The bare trees are not just trees. They are fragments of numerous dead camphor trees gathered in southern China and combined to create a new reality. Maybe it is a critical representation of how a multitude of individual parts are forced together and subjected to a system that attempts to look natural, but is actually a huge, controlled illusion. An unreal reality.

Pamela Rosenkranz
Alien Blue
September 16, 2023–January 27, 2024
Berlin

An alluring and extramundane blue light emanates from the Window, Sprüth Magers’ Berlin storefront exhibition space that is sunken and high-ceilinged, allowing visitors to view displayed works from the street around the clock. The spectacular color or, to be precise, the wavelengths emitted by Pamela Rosenkranz’s Alien Blue Windows permeate the entire room and pour out of the building. Monika Sprüth and Philomene Magers are pleased to announce a solo exhibition by the artist, showcasing five unique pieces from her enticing series alongside a selection of intricate kirigami works on paper.

Sprüth Magers x Artadia

A Benefit Exhibition to Support the Next Generation of Artists
Thea Djordjadze, Lucy Dodd, Karen Kilimnik, Barbara Kruger, Louise Lawler, Pamela Rosenkranz, Analia Saban, Rosemarie Trockel
April 4–April 22, 2023
New York

Bringing together a group of outstanding female artists in an innovative and collaborative effort to support the next generation, Sprüth Magers is pleased to announce a benefit exhibition to raise funds for the non-profit organization Artadia. Through grantmaking, community-building and advocacy, Artadia strengthens the invaluable role visual artists play in our society.

The exhibition comprises influential contemporary voices across multiple generations, reflecting both the discourse on art, gender and power that is firmly embedded in Sprüth Magers’ history and its enduring support of pioneering female figures. Featured will be works by artists who are all part of the gallery’s dynamic roster, including Thea Djordjadze, Lucy Dodd, Karen Kilimnik, Barbara Kruger, Louise Lawler, Pamela Rosenkranz, Analia Saban and Rosemarie Trockel. All funds raised will go towards the impactful Artadia Awards program.

Pamela Rosenkranz
Healer
October 8–December 22, 2021
London

At her first solo exhibition at Sprüth Magers, London, Pamela Rosenkranz shows sensory and atmospheric works in which light, sound and color play an essential role. On the main floor, visible from outside through the large window front, as if in a terrarium, lives a robotic snake covered with kirigami scales. Shimmering paintings on mirrors and aluminum, painted with semi-transparent pale pink paint, reflect the green light projected from the ceiling. Flickering LED spotlights illuminate seemingly ephemeral objects resting on transparent pedestals. Materiality and message merge. In her oeuvre, Rosenkranz questions the certainties of authentic human experience, perceiving people as permeable membranes at the interface between nature and artificiality. Drawing on themes that we encounter in our everyday, visually overcharged lives, Rosenkranz creates links that allow us to make unexpected connections between objects and ideas, while at the same time unsettling us.

GO FIGURE!?
Henni Alftan, John Baldessari, Cao Fei, George Condo, Diane Dal-Pra, Thomas Demand, Alex Foxton, Lenz Geerk, Elizabeth Glaessner, Matthew Angelo Harrison, Oscar yi Hou, Gary Hume, Clementine Keith-Roach, Karen Kilimnik, Barbara Kruger, Louise Lawler, Jo Messer, Pamela Rosenkranz, Sterling Ruby, Thomas Scheibitz, Cindy Sherman, Rosemarie Trockel, Kara Walker, Andro Wekua
May 19–May 26, 2021

GO FIGURE!? is an online exhibition in collaboration with Ed Tang and Jonathan Cheung. It presents works by artists from Sprüth Magers roster alongside a selection of emerging artists from around the globe and across various media, aiming to welcome a playful dialogue between the exhibiting artists and works.

Pamela Rosenkranz
She Has No Mouth
April 29–June 17, 2017
Berlin

She Has No Mouth is Pamela Rosenkranz’s inaugural solo exhibition at Sprüth Magers, Berlin, for which she has developed a new series of paintings and an installation with light, scent, and sound. The works continue her longstanding engagement with the biological and evolutionary underpinnings of art, her investigation of materiality and immateriality, pigments and pheromones, microbes, colors, and scents.

Dreaming Mirrors Dreaming Screens
Theodora Allen, Slater Bradley, Lucy Dodd, Lizzie Fitch / Ryan Trecartin, Andy Hope 1930, Oliver Laric, Pew Die Pie, Jon Rafman, Pamela Rosenkranz, Sara VanDerBeek, Stan VanDerBeek, Lesley Vance, Andro Wekua
curated by Johannes Fricke Waldthausen / GOODROOM
January 29–April 2, 2016
Berlin

Bringing together the practice of thirteen international artists, the exhibition Dreaming Mirrors Dreaming Screens appeals to the intuitive mind and creativity beyond referential thinking. Departing from the artists' production, it navigates through narratives in the realm of surrealist animation, abstraction and subjects of new materialism embracing the logic of the internet.