Sacred Threads
Group Exhibition
Kunsthalle Friart, Fribourg
Through April 28, 2024

Throughout history, social systems have included places for contemplation and activities that help us feel connected to something greater than ourselves. These activities often involve events and rituals that facilitate transcendence and interconnectedness.

The exhibition Sacred Threads includes works by PARKing CHANce – Park Chan-wook (*1963) and Park Chan-kyong (*1965), Mira Mann (*1993), Ana Mendieta (1948–1985), Pamela Rosenkranz (*1979), and Jura Shust (*1983), artists from different continents with distinct cosmologies and transcendental cultures. It explores how this ancestral knowledge has evolved and continues to influence our contemporary lives and artists’ works. From our governance structures and languages to ceremonies, relationships between nature and technology, and creation stories, this exhibition draws narratives that connect us to our past, future, and sense of identity.

If not now, when?
Group Exhibition
Museum Beelden aan Zee, Den Haag
Through September 8, 2024

If not now, when? presents an international selection of over seventy sculptures and installations from the collection of art collector Max Vorst. The exhibition gives an impressive overview on the developments in contemporary sculpture in the twenty-first century and demonstrates the diversity, originality and high quality of one of the most important private art collections in The Netherlands, and it connects themes such as the contemporary image of the human form, abstraction, rhythm and construction while also showing the blurring of time.

Pamela Rosenkranz
Old Tree
High Line, New York
Through September 2024

Sprüth Magers congratulates Pamela Rosenkranz whose monumental sculpture Old Tree was selected for the third High Line Plinth commission in New York, to be unveiled in spring of 2023. The bright red and pink imaginary tree animates a myriad of historical archetypes wherein the tree of life connects heaven and earth while also closely resembling the complex networks of the human circulatory system. Located on the High Line—an urban park built on a relic of industry—and selected from among over 80 international proposals by artists from 40 countries, Old Tree raises questions about the real while simultaneously highlighting a breakdown of the boundary between nature and artifice.

Pamela Rosenkranz
Alien Blue
September 16, 2023–January 27, 2024
Berlin

An alluring and extramundane blue light emanates from the Window, Sprüth Magers’ Berlin storefront exhibition space that is sunken and high-ceilinged, allowing visitors to view displayed works from the street around the clock. The spectacular color or, to be precise, the wavelengths emitted by Pamela Rosenkranz’s Alien Blue Windows permeate the entire room and pour out of the building. Monika Sprüth and Philomene Magers are pleased to announce a solo exhibition by the artist, showcasing five unique pieces from her enticing series alongside a selection of intricate kirigami works on paper.

Sprüth Magers x Artadia

A Benefit Exhibition to Support the Next Generation of Artists
Thea Djordjadze, Lucy Dodd, Karen Kilimnik, Barbara Kruger, Louise Lawler, Pamela Rosenkranz, Analia Saban, Rosemarie Trockel
April 4–April 22, 2023
New York

Bringing together a group of outstanding female artists in an innovative and collaborative effort to support the next generation, Sprüth Magers is pleased to announce a benefit exhibition to raise funds for the non-profit organization Artadia. Through grantmaking, community-building and advocacy, Artadia strengthens the invaluable role visual artists play in our society.

The exhibition comprises influential contemporary voices across multiple generations, reflecting both the discourse on art, gender and power that is firmly embedded in Sprüth Magers’ history and its enduring support of pioneering female figures. Featured will be works by artists who are all part of the gallery’s dynamic roster, including Thea Djordjadze, Lucy Dodd, Karen Kilimnik, Barbara Kruger, Louise Lawler, Pamela Rosenkranz, Analia Saban and Rosemarie Trockel. All funds raised will go towards the impactful Artadia Awards program.

Pamela Rosenkranz
Healer
October 8–December 22, 2021
London

At her first solo exhibition at Sprüth Magers, London, Pamela Rosenkranz shows sensory and atmospheric works in which light, sound and color play an essential role. On the main floor, visible from outside through the large window front, as if in a terrarium, lives a robotic snake covered with kirigami scales. Shimmering paintings on mirrors and aluminum, painted with semi-transparent pale pink paint, reflect the green light projected from the ceiling. Flickering LED spotlights illuminate seemingly ephemeral objects resting on transparent pedestals. Materiality and message merge. In her oeuvre, Rosenkranz questions the certainties of authentic human experience, perceiving people as permeable membranes at the interface between nature and artificiality. Drawing on themes that we encounter in our everyday, visually overcharged lives, Rosenkranz creates links that allow us to make unexpected connections between objects and ideas, while at the same time unsettling us.

GO FIGURE!?
Henni Alftan, John Baldessari, Cao Fei, George Condo, Diane Dal-Pra, Thomas Demand, Alex Foxton, Lenz Geerk, Elizabeth Glaessner, Matthew Angelo Harrison, Oscar yi Hou, Gary Hume, Clementine Keith-Roach, Karen Kilimnik, Barbara Kruger, Louise Lawler, Jo Messer, Pamela Rosenkranz, Sterling Ruby, Thomas Scheibitz, Cindy Sherman, Rosemarie Trockel, Kara Walker, Andro Wekua
May 19–May 26, 2021

GO FIGURE!? is an online exhibition in collaboration with Ed Tang and Jonathan Cheung. It presents works by artists from Sprüth Magers roster alongside a selection of emerging artists from around the globe and across various media, aiming to welcome a playful dialogue between the exhibiting artists and works.

Pamela Rosenkranz
She Has No Mouth
April 29–June 17, 2017
Berlin

She Has No Mouth is Pamela Rosenkranz’s inaugural solo exhibition at Sprüth Magers, Berlin, for which she has developed a new series of paintings and an installation with light, scent, and sound. The works continue her longstanding engagement with the biological and evolutionary underpinnings of art, her investigation of materiality and immateriality, pigments and pheromones, microbes, colors, and scents.

Dreaming Mirrors Dreaming Screens
Theodora Allen, Slater Bradley, Lucy Dodd, Lizzie Fitch / Ryan Trecartin, Andy Hope 1930, Oliver Laric, Pew Die Pie, Jon Rafman, Pamela Rosenkranz, Sara VanDerBeek, Stan VanDerBeek, Lesley Vance, Andro Wekua
curated by Johannes Fricke Waldthausen / GOODROOM
January 29–April 2, 2016
Berlin

Bringing together the practice of thirteen international artists, the exhibition Dreaming Mirrors Dreaming Screens appeals to the intuitive mind and creativity beyond referential thinking. Departing from the artists' production, it navigates through narratives in the realm of surrealist animation, abstraction and subjects of new materialism embracing the logic of the internet.