Rosemarie Trockel (*1952) is widely regarded as one of the most important and influential conceptual artists in Germany. Her sculptures, collages, ceramics, knitted works, drawings and photographs are noted for their subtle social critique and range of subversive, aesthetic strategies—including the reinterpretation of “feminine” techniques, the ironic shifting of cultural codes, a delight in paradox, and a refusal to conform to the commercial and institutional ideologies of the art system. The Potsdam-based artist has been associated with the gallery since 1982.

Courtesy The Museum of Modern Art, New York
Woven Histories: Textiles and Modern Abstraction
Group Exhibition with Senga Nengudi, Analia Saban and Rosemarie Trockel
The Museum of Modern Art – MoMA, New York
Through September 13, 2025
This exhibition delves into the dynamic intersections between weaving and abstraction. It includes approximately 150 works in a range of mediums—from textiles and basketry to painting, drawing, sculpture, and media works—exploring the overlap between abstract art, weaving, craft, and fashion. Woven Histories challenges long-held notions of the weave as a function of textile alone, exploring the many forms both warp and weft have taken when explored by abstract artists over the past 100 years. Previously on view at the Los Angeles County Museum of Art, the National Gallery of Art in Washington, DC, and the National Gallery of Canada, Ottawa, the exhibition’s final presentation will be at MoMA, with numerous works not seen at earlier venues.
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