Sterling Ruby
A Conversation with Sterling Ruby on Andy Warhol’s Shadows
Dia Beacon, New York
Saturday, June 6, 2026
2pm

Sterling Ruby will be in conversation with Dia senior adjunct curator Donna De Salvo about Warhol’s most abstract work, on the occasion of the closing of the Andy Warhol: Shadows exhibition. Considering the inspiration for and process behind the canvases as explored in the latest volume of the Andy Warhol Catalogue Raisonné, they will discuss how Shadows substantiates Warhol’s genuine interest in the practice of painting while simultaneously marrying it with his interests in various other media, including photography, filmmaking, and screenprinting.

10 Years LA!
May 15–August 8, 2026
Los Angeles

Monika Sprüth and Philomene Magers are pleased to present 10 Years LA!, an exhibition celebrating the gallery’s decade-long presence in Los Angeles. Since opening its doors in February 2016, the gallery has featured solo and group exhibitions debuting new works by its iconic LA-based artists as well as major installations by artists from around the world, often bringing their work to the city for the very first time. Illustrating this expansive approach, 10 Years LA! fills not only the 10,000 square feet of the gallery at 5900 Wilshire Boulevard with works by a wide cross-section of Sprüth Magers artists, but also extends to the former Sizzler restaurant at 6145 Wilshire with an installation focusing on film and video.

10 Years LA! features the work of, among others, Kenneth Anger, Richard Artschwager, John Baldessari, Bernd & Hilla Becher, Gretchen Bender, Cao Fei, George Condo, Hanne Darboven, Thomas Demand, Philip-Lorca diCorcia, Thea Djordjadze, Lucy Dodd, Peter Fischli David Weiss, Sylvie Fleury, Cyprien Gaillard, Gilbert & George, Andreas Gursky, Nancy Holt, Jenny Holzer, Gary Hume, Anne Imhof, Robert Irwin, Arthur Jafa, Craig Kauffman, Karen Kilimnik, Joseph Kosuth, Barbara Kruger, David Lamelas, Louise Lawler, Mire Lee, Anthony McCall, Robert Morris, Reinhard Mucha, Senga Nengudi, David Ostrowski, Otto Piene, Michail Pirgelis, Gala Porras-Kim, Stephen Prina, Jon Rafman, Bridget Riley, Pamela Rosenkranz, Sterling Ruby, Ed Ruscha, Analia Saban, David Salle, Thomas Scheibitz, Andreas Schulze, Cindy Sherman, Stephen Shore, Martine Syms, Ryan Trecartin, Rosemarie Trockel, Nora Turato, Kaari Upson, Kara Walker, John Waters, Andro Wekua, and Andrea Zittel.

Sterling Ruby
Atropa
January 30–March 28, 2026
New York

Sterling Ruby’s multifaceted practice spans painting, sculpture, textile, ceramics and video, and is defined by its sustained engagement with our chaotic present. For over two decades, his work has explored themes of violence, confinement and societal pressures through a consistent focus on material and artistic process. Sprüth Magers is pleased to present an exhibition of all new works by Ruby at the New York gallery, running concurrently with Master Drawings New York. The solo show features graphite drawings, small-scale pen-and-ink studies, and expressive watercolor collages alongside bronze flowers.

Mondi Possibili
Henni Alftan, John Baldessari, Cao Fei, Thomas Demand, Thea Djordjadze, Lucy Dodd, Robert Elfgen, Peter Fischli David Weiss, Sylvie Fleury, Jenny Holzer, Donald Judd, Karen Kilimnik, Barbara Kruger, Louise Lawler, David Ostrowski, Michail Pirgelis, Sterling Ruby, Thomas Scheibitz, Andreas Schulze, Hyun-Sook Song, Robert Therrien, Rosemarie Trockel, Kaari Upson, Andrea Zittel
August 31–September 14, 2023
Seoul

Mondi Possibili highlights the interplay between art and design and explores the many ways in which experimentation with material, technique and scale can reveal the hidden narratives, quiet drama and humor in the everyday items that furnish our lives as well as our imaginations. Connected through a paradigm of the possible, all artworks on show examine familiar objects – citing, celebrating, adapting or appropriating them – offering surprising, playful or unsettling approaches that open up a range of “possible worlds.” This will be the fourth edition of Sprüth Magers’ Mondi Possibili – first titled by Pasquale Leccese – showcasing significant themes in the selected artists’ works as well as the gallery’s longstanding heritage. Its three previous iterations were presented in 1989, 2006 and 2007 in Cologne, where the gallery’s history is firmly rooted, and art and design have intersected for many decades.

Sterling Ruby
IN WARM SHROUD.

A FROST WINDOW.
April 29–June 25, 2022
Berlin

For the artist’s upcoming solo exhibition at Sprüth Magers, Sterling Ruby presents several new bodies of work installed throughout the Berlin gallery that interrelate along themes of verticality, duality, craft, domesticity, and shifts in scale. The exhibition premieres a suite of monumental wall-based works, connecting the artist’s longtime engagement with textiles and assemblage to motifs from his WIDW paintings, also on view. In the upstairs gallery, a selection of Ruby’s ceramic FLOWERS and REIF sculptures explore varying geometries—opening, collapsing and reconstituting anew.

GO FIGURE!?
Henni Alftan, John Baldessari, Cao Fei, George Condo, Diane Dal-Pra, Thomas Demand, Alex Foxton, Lenz Geerk, Elizabeth Glaessner, Matthew Angelo Harrison, Oscar yi Hou, Gary Hume, Clementine Keith-Roach, Karen Kilimnik, Barbara Kruger, Louise Lawler, Jo Messer, Pamela Rosenkranz, Sterling Ruby, Thomas Scheibitz, Cindy Sherman, Rosemarie Trockel, Kara Walker, Andro Wekua
May 19–May 26, 2021

GO FIGURE!? is an online exhibition in collaboration with Ed Tang and Jonathan Cheung. It presents works by artists from Sprüth Magers roster alongside a selection of emerging artists from around the globe and across various media, aiming to welcome a playful dialogue between the exhibiting artists and works.

Sterling Ruby
DAMNATION
February 13–March 23, 2019
Los Angeles

For the artist’s fifth solo exhibition with Sprüth Magers, the artist presents STATE, a single-channel video projection that features aerial views of the 35 adult state prisons of the California Department of Corrections and Rehabilitation. Ruby transforms the ground floor gallery into a giant black-box theater, immersing viewers within the artist’s ongoing investigations into the California prison system as both allegory and atrocity. Also on view is SKULLS, a new body of animalistic sculptural works that recall Hollywood special effects, Japanese Noh theater and, in the context of the exhibition’s title, Cerberus, the mythological multi-headed dog who guards the gates to the Underworld.

Sterling Ruby
THE JUNGLE
September 17–October 29, 2016
Berlin

For Sterling Ruby’s second solo exhibition at Sprüth Magers, Berlin, the artist presents works from his SCALES series of mobile sculptures, conceived for the first time as a single installation. Ruby’s output across a diverse range of media can be measured as a fine balance between chaos and order. Manifesting his coherent artistic vision in painting, sculpture, video, photography, ceramics, textiles and, more recently, clothing, Ruby embarks upon investigations into the material and intellectual fabric of contemporary society.

Sterling Ruby
WORK WEAR: Garment and Textile Archive 2008–2016
March 11–April 9, 2016
London

WORK WEAR: Garment and Textile Archive 2008–2016 presents for the very first time an eight year survey of the clothing and textile production made by Sterling Ruby. In 2008 the artist designed a basic “work wear” button-down shirt and a pair of jean-style pants to be worn in the studio. Over the years that pattern has seen an almost ritualistic retelling of the countless textile projects that his studio has overseen.

Sterling Ruby
I AM NOT FREE BECAUSE I CAN BE EXPLODED ANYTIME
April 8–May 28, 2011
Berlin

I AM NOT FREE BECAUSE I CAN BE EXPLODED ANYTIME features a large number of works including the artist’s paintings, collages, metal, bronze, ceramic, fiber, urethane and formica sculptures. A paranoid fantasy of an exhibition, it manifests itself in a series of works that incorporate the letters RWB not only within their titles, but also as a color scheme of red, white, and blue—the instantly recognizable colors that represent the flag of the United States of America. In using this acronym, the artist creates a powerful dissociative reverie: USA becomes RWB.

Rethinking Location
Rosa Barba, Cyprien Gaillard, Andreas Hofer, David Maljkovic, Trevor Paglen, Christodoulos Panayiotou, Sterling Ruby, Paul Sietsema, Taryn Simon, Armando Andrade Tudela, Andro Wekua
May 1–June 21, 2010
Berlin

Evolving from the work of twelve conceptual artists, filmmakers and photographers presenting alternate interpretations of fictional geographies, imaginary sites and "mash-up" destinations, the exhibition Rethinking Location reconsiders the notion of location. In an era characterized by a rapidly changing perception of time and space due to ever increasing mobility, migration and globalization, our understanding of what a location is has significantly transformed.

Sterling Ruby
SPECTRUM RIPPER
October 9–November 15, 2008
London

SPECTRUM RIPPER is the first UK solo exhibition of Los Angeles-based artist Sterling Ruby. Ruby speaks for a generation of artists who seek to re-inscribe the experience of physicality, sexuality and death into minimalist art. SPECTRUM RIPPER is the last of a three-part RIPPER trilogy, which began in September 2008 with ZEN RIPPER at Galleria Emi Fontana in Milan and GRID RIPPER at GAMeC in Bergamo.

Uneasy Angel / Imagine Los Angeles
Doug Aitken, John Baldessari, Patterson Beckwith, Lecia Dole-Recio, Jack Goldstein, Richard Hawkins, Patrick Hill, Sister Corita Kent, Norman M. Klein, Barbara Kruger, David Lamelas, John McCracken, Matthew Monahan, Lari Pittman, Sterling Ruby, Allen Ruppersberg, Lara Schnitger, Kim Schoenstadt, Paul Sietsema, Catherine Sullivan, Robert Therrien, Pae White
curated by Johannes Fricke Waldthausen
September 14–November 3, 2007
Munich

Uneasy Angel / Imagine Los Angeles is a thematic exhibition comprising the creative production of contemporary artists, writers, and filmmakers living and working in Los Angeles. In light of Umberto Eco’s and Jean Baudrillard’s notion of hyperreality, the exhibition perceives Los Angeles as just such a place—with unclear boundaries separating reality and the imaginary.