In collaboration with Ed Tang and Jonathan Cheung
May 19 – May 26, 2021
Henni Alftan (*1979) is a Paris-based painter who creates pictures based on a complex process of observation and deduction. Working in figuration but rejecting a narrative dimension, Alftan’s compositions use the tight framing of close range photography to explore the similarities between painting and image-making. “I paint pictures,” Alftan says, and “painting and picture often imitate each other.” Inviting viewers to consider the history, materiality, and objecthood of painting, Alftan’s vignettes represent a fragmented vision of the real and address pictorial issues such as color, surface, flatness, depth, pattern, texture, and framing devices.
— Henni Alftan is represented by Karma, New York.
Detroit-based Matthew Angelo Harrison (*1989) creates enigmatic sculptures that are in conversation with anthropology, industrial design, science fiction and the realities of 21st century capitalism. His work combines found objects made from organic materials such indigenous African wood and bone with synthetic ingredients like acrylic resin, Plexiglas and industrial modeling clay, which he then molds, cuts, prints, and sculpts with state-of-the-art machinery. The resulting forms — whether they are 3D ceramic heads, 3D abstractions, plexi “enclosures” or resin “encapsulations” — investigate the subtle politics of mass production, authenticity, metamorphosis, and what the artist calls “abstract ancestries.”
— Matthew Angelo Harrison is represented by Jessica Silverman Gallery, San Francisco.
Diane Dal-Pra (*1991) questions the nature of our relationships we maintain with the inanimate objects we collect over the course of our lives. Dal-Pra coats her figures in an armour of these commodities, and in doing so underlines a dual purpose of our possessions which have the capacity to erase or engulf us, and yet so strongly define our identities. The sculptural treatment of her figures, part classical monument, part monolith and part totem sees Dal-Pra transforming the body in objects and, likewise, objects into flesh. Everything seems to take form in an unchanging block, frozen forever.
— Diana Dal-Pra is represented by Galerie Derouillon, Paris.
Lenz Geerk (*1988) creates psychologically charged paintings that are removed from any specific time or place. Emphasising his subjects in such a way as to draw out the hidden emotions of the human psyche, Geerk depicts people at the threshold of excitation and in the throes of exploration. With postures and gestures a fiction of representation, Geerk imagines how a certain fragile moment, derived from neither model nor photograph, can instead be expressed through atmosphere and body language. The nearly monochromatic palettes, only occasionally warmed by other colours, adds to the aura of emotional tension.
— Lenz Geerk is represented by Roberts Projects, Los Angeles.
New York-based artist Elizabeth Glaessner (*1984) creates brightly hued paintings that teem with life. Her paintings are drawn on personal history, memory and ritual. The works depict a utopian and surreal universe that blur the line between myth and reality. Glaessner’s figures often reflect an unrestricted freedom of identity and in wild states of ecstasy and hysteria – the result is one that celebrates the purity of emotional expression that most are too afraid to confront.
— Elizabeth Glaessner is represented by P.P.O.W Gallery, New York.
Alex Foxton’s (*1980) painting takes traditional images of masculinity, deconstructs their archetypes and reveals their complexity and ambiguity. Foxton explores the personal history and humanity of the heroes or mythical figures that inhabit western culture, painting a new narrative in the hollow of the history known to all. The figures depicted are stretched, torn between a calm face and an expressive body, tortuous or ecstatic, underlining the tension of each character.
— Alex Foxton is represented by Galerie Derouillon, Paris.
Clementine Keith-Roach (*1984) currently working and living in Dorset. Clementine Keith-Roach is an artist who creates terracotta vessels featuring limbs, breasts, and other human body parts. The artist’s practice is an exploration of labour, domesticity and the body. Often inspired by ancient Cycladic objects, Keith-Roach’s works seem to breathe life out of clay and inanimate everyday objects.
— Clementine Keith-Roach is represented by Ben Hunter, London and P.P.O.W Gallery, New York.
Jo Messer (*1991) is a New York-based artist working in a highly gestural style. Messer’s paintings depict the female form in radiant colours and are imbued with an almost hallucinatory aura. Her merging of abstraction and representation is lively, spirited and full of tension. The resulting images offer stimulating comments about sexual identity and the human body, as well as the history of painting over the last hundred years.
— Jo Messer is represented by 56 Henry, New York.
Oscar yi Hou (*1998) was born and raised in Liverpool, before moving to New York City where he now resides. His work explores identity and subjecthood through intimate and enigmatic portraits. Drawing from life and images accumulated in his archive – old posters, photographs and saved internet images – yi Hou inserts various signifiers and symbols open for interpretation. Essentially, his work invites the viewer to dive into questions.
Details
John Baldessari
Double Play: Just the Right Bullets, 2012
Varnished inkjet print on canvas with acrylic and oil paint
190.5 × 182.6 cm
75 × 71 7/8 inches
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John Baldessari
Double Play: Just the Right Bullets, 2012
Varnished inkjet print on canvas with acrylic and oil paint
190.5 × 182.6 cm
75 × 71 7/8 inches
John Baldessari
Double Play: Just the Right Bullets, 2012
Varnished inkjet print on canvas with acrylic and oil paint
190.5 × 182.6 cm
75 × 71 7/8 inches
John Baldessari
Double Play: Just the Right Bullets, 2012
Varnished inkjet print on canvas with acrylic and oil paint
190.5 × 182.6 cm
75 × 71 7/8 inches
Thomas Scheibitz
Stilleben, 2019
Oil, vinyl, pigment marker on cotton blended fabric
140 × 90 cm
55 1/8 × 35 3/8 inches
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Thomas Scheibitz
Stilleben, 2019
Oil, vinyl, pigment marker on cotton blended fabric
140 × 90 cm
55 1/8 × 35 3/8 inches
Thomas Scheibitz
Stilleben, 2019
Oil, vinyl, pigment marker on cotton blended fabric
140 × 90 cm
55 1/8 × 35 3/8 inches
Thomas Scheibitz
Stilleben, 2019
Oil, vinyl, pigment marker on cotton blended fabric
140 × 90 cm
55 1/8 × 35 3/8 inches
Lenz Geerk
The Scent, 2021
Acrylic on canvas
150 × 110 cm
59 × 43 1/4 inches
Courtesy of the artist and Roberts Projects, Los Angeles, California
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Lenz Geerk
The Scent, 2021
Acrylic on canvas
150 × 110 cm
59 × 43 1/4 inches
Lenz Geerk
The Scent, 2021
Acrylic on canvas
150 × 110 cm
59 × 43 1/4 inches
Courtesy of the artist and Roberts Projects, Los Angeles, California
Lenz Geerk
The Scent, 2021
Acrylic on canvas
150 × 110 cm
59 × 43 1/4 inches
Courtesy of the artist and Roberts Projects, Los Angeles, California
Rosemarie Trockel
Tisch 8, 2008
Ceramic, glazed, steel, wood
ca. 40 × 135 × 45 cm
ca. 15 × 53 1/4 × 18 inches
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Rosemarie Trockel
Tisch 8, 2008
Ceramic, glazed, steel, wood
ca. 40 × 135 × 45 cm
ca. 15 × 53 1/4 × 18 inches
Rosemarie Trockel
Tisch 8, 2008
Ceramic, glazed, steel, wood
ca. 40 × 135 × 45 cm
ca. 15 × 53 1/4 × 18 inches
Rosemarie Trockel
Tisch 8, 2008
Ceramic, glazed, steel, wood
ca. 40 × 135 × 45 cm
ca. 15 × 53 1/4 × 18 inches
Diane Dal-Pra
There is no blood on the carpet, 2021
Oil on linen
162 × 130 cm
63 3/4 × 51 1/8 inches
Courtesy of Galerie Derouillon, Paris
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Diane Dal-Pra
There is no blood on the carpet, 2021
Oil on linen
162 × 130 cm
63 3/4 × 51 1/8 inches
Diane Dal-Pra
There is no blood on the carpet, 2021
Oil on linen
162 × 130 cm
63 3/4 × 51 1/8 inches
Courtesy of Galerie Derouillon, Paris
Diane Dal-Pra
There is no blood on the carpet, 2021
Oil on linen
162 × 130 cm
63 3/4 × 51 1/8 inches
Courtesy of Galerie Derouillon, Paris
Diane Dal-Pra
There is no blood on the carpet, 2021
Oil on linen
162 × 130 cm
63 3/4 × 51 1/8 inches
Courtesy of Galerie Derouillon, Paris
Gary Hume
The Sun Loved the Moon, 2020
Gloss paint on aluminium
142 × 112 cm
56 × 44 inches
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Gary Hume
The Sun Loved the Moon, 2020
Gloss paint on aluminium
142 × 112 cm
56 × 44 inches
Gary Hume
The Sun Loved the Moon, 2020
Gloss paint on aluminium
142 × 112 cm
56 × 44 inches
Gary Hume
The Sun Loved the Moon, 2020
Gloss paint on aluminium
142 × 112 cm
56 × 44 inches
Clementine Keith-Roach
Support, 2021
Terracotta vessel, jesmonite, resin clay, modelling paste and paint
78 × 56 × 61 cm
30 3/4 × 22 1/8 × 24 1/8 inches
Courtesy of the Artist, Ben Hunter, London, and P•P•O•W, New York
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Clementine Keith-Roach
Support, 2021
Terracotta vessel, jesmonite, resin clay, modelling paste and paint
78 × 56 × 61 cm
30 3/4 × 22 1/8 × 24 1/8 inches
Clementine Keith-Roach
Support, 2021
Terracotta vessel, jesmonite, resin clay, modelling paste and paint
78 × 56 × 61 cm
30 3/4 × 22 1/8 × 24 1/8 inches
Courtesy of the Artist, Ben Hunter, London, and P•P•O•W, New York
Clementine Keith-Roach
Support, 2021
Terracotta vessel, jesmonite, resin clay, modelling paste and paint
78 × 56 × 61 cm
30 3/4 × 22 1/8 × 24 1/8 inches
Courtesy of the Artist, Ben Hunter, London, and P•P•O•W, New York
Pamela Rosenkranz
Express Nothing (Soothe Grass), 2021
Acrylic paint, emergency blanket
215 × 141 × 5.5 cm
84 5/8 × 55 1/2 × 2 1/8 inches
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Pamela Rosenkranz
Express Nothing (Soothe Grass), 2021
Acrylic paint, emergency blanket
215 × 141 × 5.5 cm
84 5/8 × 55 1/2 × 2 1/8 inches
Pamela Rosenkranz
Express Nothing (Soothe Grass), 2021
Acrylic paint, emergency blanket
215 × 141 × 5.5 cm
84 5/8 × 55 1/2 × 2 1/8 inches
Pamela Rosenkranz
Express Nothing (Soothe Grass), 2021
Acrylic paint, emergency blanket
215 × 141 × 5.5 cm
84 5/8 × 55 1/2 × 2 1/8 inches
Sterling Ruby
WIDW. LOVE IN IDLENESS., 2020
Acrylic, oil, elastic, cardboard, and treated fabric on canvas
218.1 × 126.7 × 8.3 cm (framed)
85 7/8 × 49 7/8 × 3 1/4 inches (framed)
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Sterling Ruby
WIDW. LOVE IN IDLENESS., 2020
Acrylic, oil, elastic, cardboard, and treated fabric on canvas
218.1 × 126.7 × 8.3 cm (framed)
85 7/8 × 49 7/8 × 3 1/4 inches (framed)
Sterling Ruby
WIDW. LOVE IN IDLENESS., 2020
Acrylic, oil, elastic, cardboard, and treated fabric on canvas
218.1 × 126.7 × 8.3 cm (framed)
85 7/8 × 49 7/8 × 3 1/4 inches (framed)
Sterling Ruby
WIDW. LOVE IN IDLENESS., 2020
Acrylic, oil, elastic, cardboard, and treated fabric on canvas
218.1 × 126.7 × 8.3 cm (framed)
85 7/8 × 49 7/8 × 3 1/4 inches (framed)
Thomas Demand
Towhee, 2020
Framed pigment print
135 × 172 cm (framed)
53 1/8 × 67 3/4 inches (framed)
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Thomas Demand
Towhee, 2020
Framed pigment print
135 × 172 cm (framed)
53 1/8 × 67 3/4 inches (framed)
Thomas Demand
Towhee, 2020
Framed pigment print
135 × 172 cm (framed)
53 1/8 × 67 3/4 inches (framed)
Thomas Demand
Towhee, 2020
Framed pigment print
135 × 172 cm (framed)
53 1/8 × 67 3/4 inches (framed)
Cindy Sherman
Untitled #584, 2018
Dye sublimation metal print
106.2 × 163 × 5 cm (framed)
41 7/8 × 64 1/8 × 2 inches (framed)
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Cindy Sherman
Untitled #584, 2018
Dye sublimation metal print
106.2 × 163 × 5 cm (framed)
41 7/8 × 64 1/8 × 2 inches (framed)
Cindy Sherman
Untitled #584, 2018
Dye sublimation metal print
106.2 × 163 × 5 cm (framed)
41 7/8 × 64 1/8 × 2 inches (framed)
Cindy Sherman
Untitled #584, 2018
Dye sublimation metal print
101.9 × 158.8 cm
40 1/8 × 62 1/2 inches
106.2 × 163 × 5 cm (framed)
41 7/8 × 64 1/8 × 2 inches (framed)
Karen Kilimnik
Secret agent club, London, Mayfair, 2017
Water-soluble oil color on canvas
30.5 × 23.5 cm
12 × 9 1/4 inches
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Karen Kilimnik
Secret agent club, London, Mayfair, 2017
Water-soluble oil color on canvas
30.5 × 23.5 cm
12 × 9 1/4 inches
Karen Kilimnik
Secret agent club, London, Mayfair, 2017
Water-soluble oil color on canvas
30.5 × 23.5 cm
12 × 9 1/4 inches
Karen Kilimnik
Secret agent club, London, Mayfair, 2017
Water-soluble oil color on canvas
30.5 × 23.5 cm
12 × 9 1/4 inches
Cao Fei
Nova 09, 2019
Inkjet print on paper
140 × 180 cm (framed)
55 1/8 × 70 7/8 inches (framed)
Inquire
Cao Fei
Nova 09, 2019
Inkjet print on paper
140 × 180 cm (framed)
55 1/8 × 70 7/8 inches (framed)
Cao Fei
Nova 09, 2019
Inkjet print on paper
140 × 180 cm (framed)
55 1/8 × 70 7/8 inches (framed)
Cao Fei
Nova 09, 2019
Inkjet print on paper
140 × 180 cm (framed)
55 1/8 × 70 7/8 inches (framed)
Henni Alftan
In The Dark, 2021
Oil on canvas
46 × 55 cm
18 1/ × 21 5/ inches
Courtesy of the artist and Karma, New York
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Henni Alftan
In The Dark, 2021
Oil on canvas
46 × 55 cm
18 1/ × 21 5/ inches
Henni Alftan
In The Dark, 2021
Oil on canvas
46 × 55 cm
18 1/ × 21 5/ inches
Courtesy of the artist and Karma, New York
Henni Alftan
In The Dark, 2021
Oil on canvas
46 × 55 cm
18 1/ × 21 5/ inches
Courtesy of the artist and Karma, New York
Louise Lawler
Bulbs, 2005/2006
Laminated Fujiflex print mounted on aluminum
101 × 101 cm
39 3/4 × 39 3/4 inches
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Louise Lawler
Bulbs, 2005/2006
Laminated Fujiflex print mounted on aluminum
101 × 101 cm
39 3/4 × 39 3/4 inches
Louise Lawler
Bulbs, 2005/2006
Laminated Fujiflex print mounted on aluminum
101 × 101 cm
39 3/4 × 39 3/4 inches
Louise Lawler
Bulbs, 2005/2006
Laminated Fujiflex print mounted on aluminum
101 × 101 cm
39 3/4 × 39 3/4 inches
Andro Wekua
B.Portrait, two II, 2020
Oil paint, silk-screen ink and varnish on aluminum panel
102 × 72 cm (framed)
40 1/8 × 28 3/8 inches (framed)
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Andro Wekua
B.Portrait, two II, 2020
Oil paint, silk-screen ink and varnish on aluminum panel
102 × 72 cm (framed)
40 1/8 × 28 3/8 inches (framed)
Andro Wekua
B.Portrait, two II, 2020
Oil paint, silk-screen ink and varnish on aluminum panel
102 × 72 cm (framed)
40 1/8 × 28 3/8 inches (framed)
Andro Wekua
B.Portrait, two II, 2020
Oil paint, silk-screen ink and varnish on aluminum panel
102 × 72 cm (framed)
40 1/8 × 28 3/8 inches (framed)
Andro Wekua
B.Portrait, two II, 2020
Oil paint, silk-screen ink and varnish on aluminum panel
102 × 72 cm (framed)
40 1/8 × 28 3/8 inches (framed)
Alex Foxton
Saint-Helena (Arsenic green night), 2021
Oil, acrylic, gloss paint and glitter on canvas
100 × 70 cm
39 3/8 × 27 1/2 inches
Courtesy of Galerie Derouillon, Paris
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Alex Foxton
Saint-Helena (Arsenic green night), 2021
Oil, acrylic, gloss paint and glitter on canvas
100 × 70 cm
39 3/8 × 27 1/2 inches
Alex Foxton
Saint-Helena (Arsenic green night), 2021
Oil, acrylic, gloss paint and glitter on canvas
100 × 70 cm
39 3/8 × 27 1/2 inches
Courtesy of Galerie Derouillon, Paris
Alex Foxton
Saint-Helena (Arsenic green night), 2021
Oil, acrylic, gloss paint and glitter on canvas
100 × 70 cm
39 3/8 × 27 1/2 inches
Courtesy of Galerie Derouillon, Paris
Alex Foxton
Saint-Helena (Arsenic green night), 2021
Oil, acrylic, gloss paint and glitter on canvas
100 × 70 cm
39 3/8 × 27 1/2 inches
Courtesy of Galerie Derouillon, Paris
Kara Walker
A Spectacle, 2017
Sumi ink and collage on paper
234.3 × 182.9 cm
92 1/4 × 72 inches
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Kara Walker
A Spectacle, 2017
Sumi ink and collage on paper
234.3 × 182.9 cm
92 1/4 × 72 inches
Kara Walker
A Spectacle, 2017
Sumi ink and collage on paper
234.3 × 182.9 cm
92 1/4 × 72 inches
Kara Walker
A Spectacle, 2017
Sumi ink and collage on paper
234.3 × 182.9 cm
92 1/4 × 72 inches
Kara Walker
A Spectacle, 2017
Sumi ink and collage on paper
234.3 × 182.9 cm
92 1/4 × 72 inches
Jo Messer
Fully Intact Glass, 2021
Oil on Canvas
120.7 × 139.7 cm
47 1/2 × 55 inches
Courtesy of 56 Henry
Inquire
Jo Messer
Fully Intact Glass, 2021
Oil on Canvas
120.7 × 139.7 cm
47 1/2 × 55 inches
Jo Messer
Fully Intact Glass, 2021
Oil on Canvas
120.7 × 139.7 cm
47 1/2 × 55 inches
Courtesy of Henry 56
Jo Messer
Fully Intact Glass, 2021
Oil on Canvas
120.7 × 139.7 cm
47 1/2 × 55 inches
Courtesy of Henry 56
Elizabeth Glaessner
Tender Trap, 2021
Oil and water dispersed pigments with binders on canvas
73.7 × 63.5 cm
29 × 25 inches
Courtesy of the Artist and P•P•O•W, New York
Inquire
Elizabeth Glaessner
Tender Trap, 2021
Oil and water dispersed pigments with binders on canvas
73.7 × 63.5 cm
29 × 25 inches
Elizabeth Glaessner
Tender Trap, 2021
Oil and water dispersed pigments with binders on canvas
73.7 × 63.5 cm
29 × 25 inches
Courtesy of the Artist and P•P•O•W, New York
Elizabeth Glaessner
Tender Trap, 2021
Oil and water dispersed pigments with binders on canvas
73.7 × 63.5 cm
29 × 25 inches
Courtesy of the Artist and P•P•O•W, New York
Elizabeth Glaessner
Tender Trap, 2021
Oil and water dispersed pigments with binders on canvas
73.7 × 63.5 cm
29 × 25 inches
Courtesy of the Artist and P•P•O•W, New York
George Condo
Female Portrait Compositions, 2020
Wax crayon and graphite on paper
83 × 118.2 cm (framed)
32 3/4 × 46 1/2 inches (framed)
Inquire
George Condo
Female Portrait Compositions, 2020
Wax crayon and graphite on paper
83 × 118.2 cm (framed)
32 3/4 × 46 1/2 inches (framed)
George Condo
Female Portrait Compositions, 2020
Wax crayon and graphite on paper
83 × 118.2 cm (framed)
32 3/4 × 46 1/2 inches (framed)
George Condo
Female Portrait Compositions, 2020
Wax crayon and graphite on paper
83 × 118.2 cm (framed)
32 3/4 × 46 1/2 inches (framed)
Oscar yi Hou
Hey Handsome, 2021
Oil on canvas
66 × 50.8 cm
26 × 20 inches
Courtesy of the Artist
Inquire
Oscar yi Hou
Hey Handsome, 2021
Oil on canvas
66 × 50.8 cm
26 × 20 inches
Oscar yi Hou
Hey Handsome, 2021
Oil on canvas
66 × 50.8 cm
26 × 20 inches
Courtesy of the Artist
Oscar yi Hou
Hey Handsome, 2021
Oil on canvas
66 × 50.8 cm
26 × 20 inches
Matthew Angelo Harrison
Anopia, 2021
Wooden sculpture, polyurethane resin, stainless steel, anodized aluminum
87 × 21 × 18.4 cm
34 1/4 × 8 1/4 × 7 1/4 inches
Courtesy of the artist and Jessica Silverman, San Francisco
Inquire
Matthew Angelo Harrison
Anopia, 2021
Wooden sculpture, polyurethane resin, stainless steel, anodized aluminum
87 × 21 × 18.4 cm
34 1/4 × 8 1/4 × 7 1/4 inches
Matthew Angelo Harrison
Anopia, 2021
Wooden sculpture, polyurethane resin, stainless steel, anodized aluminum
87 × 21 × 18.4 cm
34 1/4 × 8 1/4 × 7 1/4 inches
Courtesy of the artist and Jessica Silverman, San Francisco
Matthew Angelo Harrison
Anopia, 2021
Wooden sculpture, polyurethane resin, stainless steel, anodized aluminum
87 × 21 × 18.4 cm
34 1/4 × 8 1/4 × 7 1/4 inches
Barbara Kruger
Untitled (Your life is a perpetual insomnia), 1984
Gelatin silver print
183.2 × 118.2 cm (framed)
72 × 46 1/2 inches (framed)
Inquire
Barbara Kruger
Untitled (Your life is a perpetual insomnia), 1984
Gelatin silver print
183.2 × 118.2 cm (framed)
72 × 46 1/2 inches (framed)
Barbara Kruger
Untitled (Your life is a perpetual insomnia), 1984
Gelatin silver print
183.2 × 118.2 cm (framed)
72 × 46 1/2 inches (framed)
Barbara Kruger
Untitled (Your life is a perpetual insomnia), 1984
Gelatin silver print
183.2 × 118.2 cm (framed)
72 × 46 1/2 inches (framed)
Details
of 24
GO FIGURE!?
In collaboration with Ed Tang and Jonathan Cheung
May 19–May 26, 2021
Online
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