Open House
Group Exhibition
Session IV Experience (Vivre l'habitat)
Geneva
Through August 28, 2022

OPEN HOUSE is an exhibition that showcases innovative and original forms of habitat through projects from the fields of art, architecture, design and humanitarian aid in the beautiful Parc Lullin in Genthod on the lakefront, 15 minutes from Geneva.
Throughout the summer, the exhibition allows visitors to discover 35 pavilions, mobile constructions, livable sculptures, tiny houses or spaces evoking the theme of habitat in all its forms.

Extended present
Group Exhibition
Ludwig Múzeum, Budapest
Through September 4, 2022

The exhibition explores the issue of the permanent transience that we experience today, both on a global and personal level. Partly due to technological progress, partly due to the evolution of social and biological systems, not only has the present become unpredictable and uncertain, but the future looms as an apocalyptic endgame. However, transience also holds the potential for choice and change, which can derive its power from the very ground of this prolonged state and creatively mobilize this power. By capturing the present moment and extending it, the works on display offer possible alternatives in the face of our ever-changing everyday lives.

Andrea Zittel
Panels, Patterns
Kunstmuseen Krefeld, Haus Lange Haus Esters
October 23, 2022–February 26, 2023

For her first institutional solo exhibition in Germany in twenty years, the American artist Andrea Zittel will expand her Planar Panels installation in the garden house of Haus Esters (2019) to include the iconic Villa Esters by Ludwig Mies van der Rohe. The exhibition explores her artistic research into everyday life.

Andrea Zittel: A-Z West Works
Andrea Zittel
Pop-up Store
November 6–December 18, 2021
Berlin

Sprüth Magers is delighted to announce Andrea Zittel: A-Z West Works, a pop-up store at Sprüth Magers Window in Berlin, presenting handmade ceramic bowls and hand-woven textiles produced by her studio A-Z West in the Californian desert next to Joshua Tree National Park. Each object is one of a kind. Since 2000, A-Z West has functioned as the artist’s home and testing ground where physical works are created and lived with as an experiment in “investigative living.”

Dates and opening times:

November 27th, 11:00–6:00pm

December 4th, 11:00–6:00pm

December 11th, 11:00–6:00pm

Andrea Zittel
Works on Paper
November 27, 2020–February 13, 2021
Berlin

Monika Sprüth and Philomene Magers are pleased to announce the Berlin exhibition Works on Paper by American artist Andrea Zittel, presenting 26 new drawings that all hinge, in one way or another, on planar structures. Planar panels are flat rectangular elements that form the building blocks of so much of the reality that we construct around ourselves, from benches to bed frames to walkways. Zittel's artistic work regularly traverses the boundaries between art and architecture, and here reflects upon the planes and panels that exist in both our literal and psychological fields of reality.

Andrea Zittel
Parallel Planar Panels
November 3, 2015–January 16, 2016
Berlin

Over the last 25 years I have developed a practice in which spaces, objects, and acts of living all intertwine within a single ongoing investigation into what it means to exist and participate in our culture today. 'How to live?' and 'what gives life meaning?' are core issues in both my personal life and my artistic practice. Answering these questions has often entailed the examination of social norms, values, hierarchies and categories, which are all highly articulated human constructions that are oddly meaningful and somewhat arbitrary at the same time.

Andrea Zittel
Pattern of Habit
June 8–September 10, 2011
Berlin

’For the last twenty years my work in one way or another has examined how psychological structures, thought systems and beliefs are manifested as physical objects in the world that we create around ourselves. Most recently this research has focused on the patterns and systems that are bound to habits, schedules and rules. For instance, I live in the desert where there all of my day to day necessities are ordered on-line, and delivered to my doorstep – a never ending stream of products, each carefully packed in its own cardboard box. After I unpack it’s contents I eye the box thinking that it is a shame to throw out such a perfect vehicle – especially if it has special proportions or clearly crisp edges and corners. Soon I found myself stacking the boxes up along an empty wall, eventually devising a way to cement this irregular structure together into an integrated unit that reflects a pattern of my own life through consumption.’ Andrea Zittel, May 2011

Andrea Zittel
Smockshop London
September 19–October 3, 2009
London

The Smockshop is a continuation of Andrea Zittel’s long-standing aesthetic investigation into the daily routines and functional experiences of everyday life. Founded in Los Angeles in 2007, this artistic and economic ‘pop up’ experiment appeared in galleries, stores, and non-profit venues across North American before making its European debut at Sprüth Magers Berlin in February of 2009. A profit-making enterprise with social awareness, the Smockshop generates income for non-commercial artists who are not yet self-sustaining.

Andrea Zittel
Smockshop Berlin
February 18–April 18, 2009
Berlin

This is the first time the Smockshop (www.smockshop.org) has set up its stall outside North America, and it is also scheduled to be the last time it opens for business at all, making this a unique opportunity to experience Zittel’s artistic and economic experiment. Two artisans will work in the gallery for the first four days of the exhibition making the smocks that are available for purchase right after their production. The works will be then on view in the gallery throughout the whole exhibition period. The double wrap-around garments designed by Zittel collectively represent an aesthetically diverse yet functionally uniform body of work. Extending Zittel’s longstanding interest in the form and function of everyday life, the smocks develop a modernist tradition of clothing design and manufacture, extending back to the Russian avant-garde, which emphasises utility and economy, and inclines towards an alternative experience of clothing to the prevailing discourse of fashion.

Andrea Zittel
A-Z Uniform Series 1991–2002
May 15–June 28, 2003
Munich

"Most of us to own a favorite garment that makes us look and feel good, but social etiquette dictates that we wear a different change of clothes every day. Sometimes this multitude of options can actually feel more restrictive that a self-imposed constant. Because I was tired of the tyranny of constant variety, I began a six-month uniform project. Starting in 1991, I would design and made one perfect dress for each season, and would then to wear that dress every day for six months. Although utilitarian in principle, I often found that there was often a strong element of fantasy or emotional need invested in each season's design. The experiment as a whole worked quite well, especially since dreaming up the next season's design helped relieve any monotony that might have occurred from wearing the same dress every day." –Andrea Zittel