Textile Manifeste – von Bauhaus bis Soft Sculpture
Group Exhibition
Museum für Gestaltung, Zurich
Through July 13, 2025

From geometrically ordered weavings in two dimensions to free forms in space: the exhibition shows anonymous pieces side by side with well-known positions, resulting in some surprising adjacencies of comparable perspectives from different periods. 

Woven Histories: Textiles and Modern Abstraction
Group Exhibition with Senga Nengudi, Analia Saban and Rosemarie Trockel
The Museum of Modern Art – MoMA, New York
Through September 13, 2025

This exhibition delves into the dynamic intersections between weaving and abstraction. It includes approximately 150 works in a range of mediums—from textiles and basketry to painting, drawing, sculpture, and media works—exploring the overlap between abstract art, weaving, craft, and fashion. Woven Histories challenges long-held notions of the weave as a function of textile alone, exploring the many forms both warp and weft have taken when explored by abstract artists over the past 100 years. Previously on view at the Los Angeles County Museum of Art, the National Gallery of Art in Washington, DC, and the National Gallery of Canada, Ottawa, the exhibition’s final presentation will be at MoMA, with numerous works not seen at earlier venues.

Andrea Zittel
Public Performance of the Self
September 12–October 25, 2025
Berlin

Since the early 1990s, Andrea Zittel has used the arena of day-to-day life to develop and test prototypes for living structures and situations in order to understand the world at large. Monika Sprüth and Philomene Magers, on the occasion of Berlin Art Week, are pleased to announce a solo exhibition of the artist’s latest project…

Mondi Possibili
Henni Alftan, John Baldessari, Cao Fei, Thomas Demand, Thea Djordjadze, Lucy Dodd, Robert Elfgen, Peter Fischli David Weiss, Sylvie Fleury, Jenny Holzer, Donald Judd, Karen Kilimnik, Barbara Kruger, Louise Lawler, David Ostrowski, Michail Pirgelis, Sterling Ruby, Thomas Scheibitz, Andreas Schulze, Hyun-Sook Song, Robert Therrien, Rosemarie Trockel, Kaari Upson, Andrea Zittel
August 31–September 14, 2023
Seoul

Mondi Possibili highlights the interplay between art and design and explores the many ways in which experimentation with material, technique and scale can reveal the hidden narratives, quiet drama and humor in the everyday items that furnish our lives as well as our imaginations. Connected through a paradigm of the possible, all artworks on show examine familiar objects – citing, celebrating, adapting or appropriating them – offering surprising, playful or unsettling approaches that open up a range of “possible worlds.” This will be the fourth edition of Sprüth Magers’ Mondi Possibili – first titled by Pasquale Leccese – showcasing significant themes in the selected artists’ works as well as the gallery’s longstanding heritage. Its three previous iterations were presented in 1989, 2006 and 2007 in Cologne, where the gallery’s history is firmly rooted, and art and design have intersected for many decades.

Andrea Zittel
Andrea Zittel: A-Z West Works
Pop-up Store
November 6–December 18, 2021
Berlin

Sprüth Magers is delighted to announce Andrea Zittel: A-Z West Works, a pop-up store at Sprüth Magers Window in Berlin, presenting handmade ceramic bowls and hand-woven textiles produced by her studio A-Z West in the Californian desert next to Joshua Tree National Park. Each object is one of a kind. Since 2000, A-Z West has functioned as the artist’s home and testing ground where physical works are created and lived with as an experiment in “investigative living.”

Dates and opening times:
November 27th, 11:00–6:00pm
December 4th, 11:00–6:00pm
December 11th, 11:00–6:00pm

Andrea Zittel
Works on Paper
November 27, 2020–February 13, 2021
Berlin

Monika Sprüth and Philomene Magers are pleased to announce the Berlin exhibition Works on Paper by American artist Andrea Zittel, presenting 26 new drawings that all hinge, in one way or another, on planar structures. Planar panels are flat rectangular elements that form the building blocks of so much of the reality that we construct around ourselves, from benches to bed frames to walkways. Zittel's artistic work regularly traverses the boundaries between art and architecture, and here reflects upon the planes and panels that exist in both our literal and psychological fields of reality.

Andrea Zittel
Parallel Planar Panels
November 3, 2015–January 16, 2016
Berlin

Over the last 25 years I have developed a practice in which spaces, objects, and acts of living all intertwine within a single ongoing investigation into what it means to exist and participate in our culture today. 'How to live?' and 'what gives life meaning?' are core issues in both my personal life and my artistic practice. Answering these questions has often entailed the examination of social norms, values, hierarchies and categories, which are all highly articulated human constructions that are oddly meaningful and somewhat arbitrary at the same time.

Andrea Zittel
Pattern of Habit
June 8–September 10, 2011
Berlin

’For the last twenty years my work in one way or another has examined how psychological structures, thought systems and beliefs are manifested as physical objects in the world that we create around ourselves. Most recently this research has focused on the patterns and systems that are bound to habits, schedules and rules. For instance, I live in the desert where there all of my day to day necessities are ordered on-line, and delivered to my doorstep – a never ending stream of products, each carefully packed in its own cardboard box. After I unpack it’s contents I eye the box thinking that it is a shame to throw out such a perfect vehicle – especially if it has special proportions or clearly crisp edges and corners. Soon I found myself stacking the boxes up along an empty wall, eventually devising a way to cement this irregular structure together into an integrated unit that reflects a pattern of my own life through consumption.’ Andrea Zittel, May 2011

Andrea Zittel
Smockshop London
September 19–October 3, 2009
London

The Smockshop is a continuation of Andrea Zittel’s long-standing aesthetic investigation into the daily routines and functional experiences of everyday life. Founded in Los Angeles in 2007, this artistic and economic ‘pop up’ experiment appeared in galleries, stores, and non-profit venues across North American before making its European debut at Sprüth Magers Berlin in February of 2009. A profit-making enterprise with social awareness, the Smockshop generates income for non-commercial artists who are not yet self-sustaining.

Andrea Zittel
Smockshop Berlin
February 18–April 18, 2009
Berlin

This is the first time the Smockshop (www.smockshop.org) has set up its stall outside North America, and it is also scheduled to be the last time it opens for business at all, making this a unique opportunity to experience Zittel’s artistic and economic experiment. Two artisans will work in the gallery for the first four days of the exhibition making the smocks that are available for purchase right after their production. The works will be then on view in the gallery throughout the whole exhibition period. The double wrap-around garments designed by Zittel collectively represent an aesthetically diverse yet functionally uniform body of work. Extending Zittel’s longstanding interest in the form and function of everyday life, the smocks develop a modernist tradition of clothing design and manufacture, extending back to the Russian avant-garde, which emphasises utility and economy, and inclines towards an alternative experience of clothing to the prevailing discourse of fashion.

Andrea Zittel
A-Z Uniform Series 1991–2002
May 15–June 28, 2003
Munich

"Most of us to own a favorite garment that makes us look and feel good, but social etiquette dictates that we wear a different change of clothes every day. Sometimes this multitude of options can actually feel more restrictive that a self-imposed constant. Because I was tired of the tyranny of constant variety, I began a six-month uniform project. Starting in 1991, I would design and made one perfect dress for each season, and would then to wear that dress every day for six months. Although utilitarian in principle, I often found that there was often a strong element of fantasy or emotional need invested in each season's design. The experiment as a whole worked quite well, especially since dreaming up the next season's design helped relieve any monotony that might have occurred from wearing the same dress every day." –Andrea Zittel

Art After Collecting
Todd Alden, Janine Antoni, Devon Dikeou, Rainer Ganahl, Beth Haggart, Lisa Hein, Rirkrit Tiravanija, Andrea Zittel
curated by Rainer Ganahl
February 26–March 25, 1994
Cologne

Eau de Cologne 83-93
Ellen Cantor, Nicole Eisenman, Katharina Fritsch, Dominique Gonzales-Foerster, Asta Gröting, Jenny Holzer, Jenny Holzer / Lady Pink, G B Jones, Karen Kilimnik, Barbara Kruger, Louise Lawler, Annette Lemieux, Zoe Leonard, Anne Loch, Sarah Lucas, Monica Majoli, Annette Messager, Cady Noland, Collier Schorr, Cindy Sherman, Rosemarie Trockel, Andrea Zittel
June 5–September 18, 1993
Cologne