Seriously.
Bas Jan Ader, Keith Arnatt, John Baldessari, Massimo Bartolini, Bernd & Hilla Becher, Lynda Benglis, Cao Fei, Helen Chadwick, Robert Cumming, Thomas Demand, Braco Dimitrijevic, Hans-Peter Feldmann, Peter Fischli David Weiss, Ceal Floyer, Tom Friedman, Dan Graham, Rodney Graham, Scott Grieger, Aneta Grzeszykowska, Andreas Gursky, Sigurður Guðmundsson, Barbara Hammer, Nancy Holt / Robert Smithson, Rebecca Horn, Douglas Huebler, Birgit Jürgenssen, Astrid Klein, Natalia LL, David Lamelas, Louise Lawler, Sarah Lucas, Urs Lüthi, Tom Marioni, Anthony McCall, Jonathan Monk, Peter Moore, Bruce Nauman, Joshua Neustein, Dennis Oppenheim, Géza Perneczky, Sigmar Polke, Charles Ray, Andrea Robbins / Max Becher, Ulrike Rosenbach, Thomas Ruff, Ed Ruscha, Cindy Sherman, Stephen Shore, Santiago Sierra / Franz Erhard Walther, Roman Signer, Laurie Simmons, John Smith, Martine Syms, Robert Therrien, Rosemarie Trockel, Keiji Uematsu, Mark Wallinger, John Waters, Gillian Wearing, Carrie Mae Weems, William Wegman, Hannah Wilke, Stephen Willats, Christopher Williams, Philip-Lorca diCorcia, Ger van Elk
November 21, 2025–January 31, 2026
London

Monika Sprüth and Philomene Magers are pleased to present Seriously., a group exhibition curated by Nana Bahlmann, featuring over a hundred conceptual photographs, print media, and select films ranging from the 1960s to the present, which expose the absurdities of our world and its representations. Through visual wit, subversiveness, and even outright slapstick, these photographic experiments offer humorous conceptual investigations of how images are constructed and interpreted. Employing a range of strategies, from masquerade and role-play to the construction of inexplicable scenarios, unexpected juxtapositions, and idiosyncratic sculptural compositions, these works reveal the farcical and fantastical within the visual realm. In reframing our visual world through satire and playful mimicry, they create space for both reflection and amusement.

Peter Fischli David Weiss
November 22, 2023–February 3, 2024
London

Peter Fischli and David Weiss have a unique whimsical perspective on the mundane material of everyday life. Since they began working together in 1979, the artistic duo set out to document and investigate their surroundings, juxtaposing the ordinary with the spectacular. Sprüth Magers is pleased to announce an exhibition of famed works of central importance to Fischli and Weiss’ oeuvre in the London gallery. Revolving around the recurring figures of Rat and Bear, the show traces the brown rat (deemed a pest and ugly) and the panda bear (considered endangered and adorable) throughout the artists’ three decades of collaboration. Across video, slide projection, photography, kinetic sculpture and several works on paper, Fischli and Weiss playfully and humorously employ the animal costumes as vehicles for probing Western dualistic thought and its dependence on opposing principles.

Mondi Possibili
Henni Alftan, John Baldessari, Cao Fei, Thomas Demand, Thea Djordjadze, Lucy Dodd, Robert Elfgen, Peter Fischli David Weiss, Sylvie Fleury, Jenny Holzer, Donald Judd, Karen Kilimnik, Barbara Kruger, Louise Lawler, David Ostrowski, Michail Pirgelis, Sterling Ruby, Thomas Scheibitz, Andreas Schulze, Hyun-Sook Song, Robert Therrien, Rosemarie Trockel, Kaari Upson, Andrea Zittel
August 31–September 14, 2023
Seoul

Mondi Possibili highlights the interplay between art and design and explores the many ways in which experimentation with material, technique and scale can reveal the hidden narratives, quiet drama and humor in the everyday items that furnish our lives as well as our imaginations. Connected through a paradigm of the possible, all artworks on show examine familiar objects – citing, celebrating, adapting or appropriating them – offering surprising, playful or unsettling approaches that open up a range of “possible worlds.” This will be the fourth edition of Sprüth Magers’ Mondi Possibili – first titled by Pasquale Leccese – showcasing significant themes in the selected artists’ works as well as the gallery’s longstanding heritage. Its three previous iterations were presented in 1989, 2006 and 2007 in Cologne, where the gallery’s history is firmly rooted, and art and design have intersected for many decades.

Peter Fischli David Weiss
Should I paint a pirate ship on my car with an armed figure on it holding a decapitated head by the hair?
January 17–June 19, 2020
London

Should I paint a pirate ship on my car with an armed figure on it holding a decapitated head by the hair? is the fifth exhibition by Swiss artists Peter Fischli and David Weiss at their London gallery. This exhibition will present a concise overview of the artists’ extraordinary transformations of the commonplace in the form of three seminal works from throughout their collaborative career.

Peter Fischli David Weiss
HAUS
April 27–August 10, 2019
Berlin

HAUS is a solo exhibition by Fischli Weiss, the Swiss artist duo known since the 1980s for their films including Der geringste Widerstand (The Least Resistance) and ambiguous sculptural everyday objects.

At the core of this new exhibition is Haus (House), a work Peter Fischli and David Weiss first developed for Skulptur Projekte Münster in 1987 and subsequently showed in exhibitions at the Guggenheim Museum, New York and Museo Jumex, Mexico City (2016). This exhibition focuses on the architectural reference system at the heart of the artists’ work with a selection of sculptures and archival material.

Peter Fischli David Weiss
Eine Ansammlung von Gegenständen
May 2–August 30, 2014
Berlin

The making of polyurethane objects has played a central role in the work of Peter Fischli and David Weiss for over 30 years. The objects themselves often depict utilitarian devices, tools or other everyday paraphernalia, all handcrafted and painted to be almost indistinguishable from the original. Boris Groys wrote that the practice of making the objects revives "the ethos of the artist as a working, creating craftsperson who once again represents the things of reality." Yet the exhibition of the polyurethane objects as artworks, carefully presented as if they were just mundane things, introduces layers of paradox, irony and humour.

Peter Fischli David Weiss
March 2–April 13, 2013
Berlin

This solo presentation of work by Peter Fischli and David Weiss will display a cross-fading installation of photographs showing views of airports. Beside this work, four sculptures are on view. The artists' focus of artistic investigation is the unspectacular aspects of domestic life, employing a wide variety of creative means of expression, ranging from film, photography and artists’ books, to sculptures and multimedia installations. The artists adapt everyday objects and situations which they place – not without humour or irony – in an artistic context, thus raising philosophical and theoretical questions regarding the explanation of the world.

Peter Fischli David Weiss
Walls, Corners, Tubes
October 10–November 10, 2012
London

In Walls, Corners, Tubes, the artists present a series of objects with geometrical bodies which have the form of walls, corners, and tubes and are made alternately of black rubber and unfired clay. Both the shapes of the objects and their titles such as Wand aus Ton ('Wall of Clay,' 2012) or Röhre aus Gummi ('Tube of Rubber,' 2012) recall functional elements, such as those often found at building supplies stores. Placed on high, white pedestals, the sculptures appear in various scales which distance them from their origin in the observed forms of reality. On the one hand, their dimensions are oriented towards the human body, so that they automatically relate to it like tools or items for everyday use. On the other hand, they become sculptures which, on a reduced scale, demonstrate an affinity to the objecthood of the Minimal Art of the 1960s.

Peter Fischli David Weiss
Objects on pedestals
January 29–March 28, 2009
London

Sprüth Magers London is delighted to present Objects on Pedestals, a survey of sculpture works by acclaimed Swiss artists Peter Fischli and David Weiss. The exhibition includes a selection from the series Rubber Sculptures (1986–1988), which comprises a number of life-size black rubber casts of ordinary and commonplace objects, including a chest of drawers, a table, a candle and a cutlery tray. The exhibition also features a number of sculptures, all made in 2007 in unfired clay, which also depict normal and quotidian objects, such as a shoe or a jug, although on an exaggerated scale. Together, these two bodies of work reveal the artists’ ongoing fascination with the banal and absurd qualities of the everyday, and the materiality and tactility of mass consumption.

Peter Fischli David Weiss
Sonne, Mond und Sterne
November 27, 2008–January 31, 2009
Berlin

Sonne, Mond und Sterne is a gallery-scale presentation of a project which originated in book form as a commission by the Swiss media conglomerate Ringier AG, to customise their annual report and turn it into a work of art.

The 2007 Ringier annual report consists of 40 pages of business data, and 800 pages of adverts. The adverts have been carefully selected and scanned by the artists from hundreds of newspapers and magazines that could be found at any newsstand in any part of the globalised marketplace. The adverts cover the whole spectrum of the lifestyle of the contemporary consumer, ranging from sport to travel and from fashion to family life. The adverts are carefully grouped and each image is positioned opposite a purposefully chosen companion image, so that each double-page spread forms a kind of diptych, revealing through association or juxtaposition an aspect of our mass culture of consumption.

Peter Fischli David Weiss
Equilibres
May 15–July 28, 2007
Munich

The photographs Equilibres were created in the years 1984 and 1986. It is a series of 82 black-and-white and colour photographs showing assemblages of everyday objects. The attention is drawn to a dizzying construction, with gravity seemingly working in reverse, creating a state of suspension which cancels the weight and the value of the individual components. This is also summarized in the subheading of the Equilibres of Peter Fischli and David Weiss: „Am schönsten ist das Gleichgewicht, kurz bevor’s zusammenbricht.“ („Balance is most beautiful just before it collapses.“)

Mondi Possibili
Richard Artschwager, Benjamin Bergmann, Thomas Demand, Thea Djordjadze, Peter Fischli David Weiss, Claus Föttinger, Thomas Grünfeld, Stefan Kern, Frances Scholz, Andreas Schulze, Franz West, Martin Wöhrl
January 15–March 17, 2007
Cologne

Mondi Possibili
Thea Djordjadze, Peter Fischli David Weiss, Claus Föttinger, Thomas Grünfeld, Jenny Holzer, Stefan Kern, Joseph Kosuth, Louise Lawler, Michail Pirgelis, Michelangelo Pistoletto, Thomas Scheibitz, Andreas Schulze, Cindy Sherman, Rosemarie Trockel, Franz West
January 17–April 7, 2006
Cologne

As part of the PASSAGEN, the supporting programme of the International Furniture Fair in Cologne, at the beginning of the year Monika Sprüth and Philomene Magers present a new edition of the exhibition “Mondi Possibili”. The works on display deal with the subject of furniture from a variety of angles: as citation, as homage, as adaptation, or as copy. Others are usable objects that hardly differ from their reference objects in the domain of design or furniture.

Peter Fischli David Weiss
Fotografias
November 2, 2005–January 5, 2006
Cologne

Malerei 7
Peter Fischli David Weiss, George Condo, Axel Kasseböhmer, Frances Scholz, Andreas Schulze, Walter Dahn, Siegfried Anzinger, Thomas Scheibitz
October 30, 2003–January 31, 2004
Cologne

Peter Fischli David Weiss
Unsettled Work
October 10–November 29, 2003
London

Peter Fischli David Weiss
November 6, 1998–February 13, 1999
Cologne

Peter Fischli David Weiss
Flughäfen 1988-98
January 28–April 18, 1998
Cologne

Ausblick
Peter Fischli David Weiss, Andreas Gursky, Louise Lawler, Vincenzo Castella
July 4–August 30, 1997
Cologne

Peter Fischli David Weiss
May 5–July 29, 1995
Cologne

Peter Fischli David Weiss
Kanalvideo
March 31–May 1, 1993
Cologne

Tutto Tondo
Curtis Anderson, Guglielmo Aschieri, Donald Baechler, John Baldessari, Ilaria Bona, Angela Bulloch, George Condo, Walter Dahn, Jürgen Drescher, Peter Fend, Peter Fischli David Weiss, Anne Loch, Piero Manzoni, Annette Messager, A. R. Penck, Gerhard Richter, Salvo, Andreas Schulze, Rosemarie Trockel
February 4–March 13, 1993
Cologne

Lying on the top of a Building the Clouds seemed no nearer than they had when I was lying on the Street
Angela Bulloch, Walter Dahn, Peter Fischli David Weiss, Tom Friedmann, Liam Gillick, Dominique Gonzales-Foerster, Felix Gonzales-Torres, Lothar Hempel, Axel Kasseböhmer, Hirsch Perlman, Andreas Schulze, Rosemarie Trockel
May 23–July 8, 1992
Cologne

Baldessari, Bernard, Fischli & Weiss, Perlman
John Baldessari, Cindy Bernard, Peter Fischli David Weiss, Hirsch Perlman
March 8–April 6, 1991
Cologne

Mondi Possibili
John Armleder, Barbara Bloom, Tony Cragg, Peter Fischli David Weiss, Katharina Fritsch, Louise Lawler, Allan Mccollum, Reinhard Mucha, Andreas Schulze, Haim Steinbach, Rosemarie Trockel, Mayer Vaisman, Jean-Luc Vilmouth, Bill Woodrow
September 8–September 30, 1989
Cologne

Peter Fischli David Weiss
Skulpturen und Fotografie
May 19–June 24, 1989
Cologne

Das Licht von der anderen Seite – Teil II Photographie
John Baldessari, Bernd & Hilla Becher, Anna & Bernhard Blume, Victor Burgin, Walter Dahn, Jimmy De Sana, Barbara Ess, Hans-Peter Feldmann, Peter Fischli David Weiss, Hamish Fulton, Günther Förg, Georg Herold, Martin Kippenberger, Imi Knoebel, Thomas Locher, Allan Mccollum, Sigmar Polke, Richard Prince, Ed Ruscha, Cindy Sherman, Jeff Wall, James Welling, Richard Wentworth
September 17–October 29, 1988
Cologne

Peter Fischli David Weiss
Stiller Nachmittag
February 3–March 16, 1985
Cologne

Nouveau Boheme
Laure Chenard, George Condo, Jiri Georg Dokoupil, Peter Fischli David Weiss, Gerard Kever, Milan Kunc, Kenny Scharf, Andreas Schulze, Dieter Teusch
November 15–December 31, 1984
Cologne

Peter Fischli David Weiss
Fieber
May 12–June 30, 1983
Cologne