Drawing the Unspeakable
Group Exhibition
Towner, Eastbourne
Through April 27, 2025

Drawing the Unspeakable explores the universal language of drawing – a medium that renowned broadcaster David Dimbleby and his daughter, the artist and writer Liza Dimbleby, have long recognised as a powerful tool for expressing the inexpressible Featuring over 200 works, the exhibition is an in-depth exploration of human experience through art. The exhibition brings together a diverse array of pieces that challenge the boundaries of speech, translating the unspeakable into the visual realm. Through these drawings, artists navigate themes of disaster, war, displacement and destruction, mental and physical illness, loss, grief, birth and family, dreams, memories, and imagination.

Kara Walker
Fortuna and the Immortality Garden (Machine)
San Francisco Museum of Modern Art – SFMOMA
Through May 2026

Fortuna and the Immortality Garden (Machine)
A Respite for the Weary Time-Traveler.
Featuring a Rite of Ancient Intelligence Carried out by The Gardeners
Toward the Continued Improvement of the Human Specious
by
Kara E-Walker.

Kara Walker has long been recognized for her incisive examinations of the dynamics of power and the exploitation of race and sexuality. Her work leverages expressions of fantasy and humor to confront troubling histories and dominant narratives, repossessing control in the process. Inspired by a wide range of sources, from antique dolls to Octavia Butler’s novel Parable of the Sower, Walker’s new commission, Fortuna and the Immortality Garden (Machine), considers the memorialization of trauma, the objectives of technology, and the possibilities of transforming the negative energies that plague contemporary society. The presentation marks the first time that SFMOMA has commissioned an artist to create a site-specific installation for the Roberts Family Gallery.

Kara Walker
Ring Around the Rosy
June 10–July 30, 2022
London

Kara Walker’s solo exhibition presents a selection of recent works on paper. Previously unseen, they cover the breadth of her practice in drawing, the medium that has been explored in depth in her recent touring museum exhibition A Black Hole is Everything a Star Longs to Be.

GO FIGURE!?
Henni Alftan, John Baldessari, Cao Fei, George Condo, Diane Dal-Pra, Thomas Demand, Alex Foxton, Lenz Geerk, Elizabeth Glaessner, Matthew Angelo Harrison, Oscar yi Hou, Gary Hume, Clementine Keith-Roach, Karen Kilimnik, Barbara Kruger, Louise Lawler, Jo Messer, Pamela Rosenkranz, Sterling Ruby, Thomas Scheibitz, Cindy Sherman, Rosemarie Trockel, Kara Walker, Andro Wekua
May 19–May 26, 2021

GO FIGURE!? is an online exhibition in collaboration with Ed Tang and Jonathan Cheung. It presents works by artists from Sprüth Magers roster alongside a selection of emerging artists from around the globe and across various media, aiming to welcome a playful dialogue between the exhibiting artists and works.

Kara Walker
THE SOVEREIGN CITIZENS SESQUICENTENNIAL CIVIL WAR CELEBRATION
March 11–June 21, 2020
Berlin

This new exhibition of work by Kara Walker will present her film work National Archives Microfilm M999 Roll 34: Bureau of Refugees, Freedmen and Abandoned Lands: Six Miles from Springfield on the Franklin Road, 2009, alongside a monumental 2013 installation piece that is a brilliant example of Walker’s silhouetted wall works – entitled THE SOVEREIGN CITIZENS SESQUICENTENNIAL CIVIL WAR CELEBRATION.

Kara Walker
From Black and White to Living Color: The Collected Motion Pictures and Accompanying Documents of Kara E. Walker, Artist.
October 4–December 21, 2019
London

Film has long played a crucial role in Kara Walker’s groundbreaking artistic practice. Eight of Walker’s films highlight her diverse approach to filmmaking, signature use of silhouettes, and insightful handling of space, sound and time to expose profound and enduring historical traumas and narratives. The exhibition will also include an array of artefacts that shed light on Walker’s process as she conceives of and composes her films. Shot lists, handwritten notes, cut-and-pasted lines of text, sketches and puppets are interspersed with the artist’s moving images, deepening our understanding of her films and her expansive practice of unforgettable work across mediums. 

Eau de Cologne
Marlene Dumas, Jenny Holzer, Astrid Klein, Barbara Kruger, Louise Lawler, Cindy Sherman, Rosemarie Trockel, Kara Walker
March 27–April 12, 2019
Hong Kong

Kara Walker
April 28–September 8, 2018
Berlin

Kara Walker's work is well known for the incisive connections it draws between the legacy of slavery in the United States, the evolution of historical narratives and cultural beliefs, and contemporary race relations. Since the 1990s, her silhouetted wall works, drawings, and videos have treaded an uncomfortable line between beauty and violence, attraction and repulsion, and past and present, and she is recognized equally for her skillful draftsmanship and her trenchant storytelling. Sprüth Magers is honored to exhibit Walker's video Fall Frum Grace, Miss Pipi’s Blue Tale (2011), a work that highlights the artist's compelling approach to difficult but crucially relevant subject matter.

POWER
Beverly Buchanan, Elizabeth Catlett, Sonya Clark, Renee Cox, Njideka Akunyili Crosby, Karon Davis, Minnie Evans, Nona Faustine, LaToya Ruby Frazier, Ellen Gallagher, Leslie Hewitt, Clementine Hunter, Steffani Jemison, Jennie C. Jones, Simone Leigh, Julie Mehretu, Sister Gertrude Morgan, Senga Nengudi, Lorraine O'Grady, Sondra Perry, Howardena Pindell, Faith Ringgold, Betye Saar, Joyce J. Scott, Emmer Sewell, Ntozake Shange, Xaviera Simmons, Lorna Simpson, Shinique Smith, Renee Stout, Alma Woodsey Thomas, Mickalene Thomas, Rosie Lee Tompkins, Unknown, Kara Walker, Meta Vaux Warrick Fuller, Carrie Mae Weems, Brenna Youngblood
Work By African American Women From The Nineteenth Century To Now
March 28–June 10, 2017
Los Angeles

Sprüth Magers, Los Angeles, is proud to present POWER, an exhibition curated by Todd Levin that surveys the work of African American women artists from the nineteenth century to now. Titled after the 1970 gospel song by Sister Gertrude Morgan, the exhibition begins with artists born soon after the Civil War and continues to the present, weaving together fine and folk art traditions to explore how artists have engaged issues of race, gender, and class against our evolving cultural and artistic landscape. The 37 artists in POWER draw into focus their struggle to establish themselves as equal players on the uneven field of the American republic.