Mire Lee
Secession, Vienna
June 12–August 30, 2026

Mire Lee’s work occupies a visceral space where the boundaries between machine, body, and psyche collapse. Her kinetic sculptures are often made with motors, silicone, steel, and lubricants and form organisms that are both tender and grotesque. Moving in convulsive, almost breath-like rhythms, these works suggest an uneasy vitality that hovers between the animate and the alien. Rather than reproducing the human body, Lee exposes its internal logic, its functions, breakdowns, and the systems it depends on. Her installations evoke raw physicality while foregrounding vulnerability, violence, and desire. They often generate a form of affective discomfort, inviting sustained attention without offering resolution. The spaces Lee constructs feel humid and ruinous, operating as conditions of exposure. In these works, movement becomes a language of survival, repair, and persistent vulnerability.

Horror
Curated by Jill Mulleady
November 21, 2025–February 14, 2026
Los Angeles

Monika Sprüth and Philomene Magers are pleased to present Horror, an intergenerational group exhibition curated by Jill Mulleady. In conceiving the exhibition, Mulleady was inspired by the long history of horror in film and literature, as well as by Mike Kelley’s 1993 group exhibition and publication, The Uncanny, a curatorial statement which explored the complex interplay of recognition, memory, and repression. Over thirty years on, Horror takes Kelley’s project as a touchstone, moving beyond the psychological discomfort of the uncanny toward the explicit shock of horror.

With works by Dario Argento, Antonin Artaud, Oliver Bak, Bruce Conner, Mati Diop & Fatima Al Qadiri, Cyprien Gaillard, Jonathan Glazer, Anne Imhof, Arthur Jafa, Asger Jorn, Mike Kelley, Karen Kilimnik, Harmony Korine, Tetsumi Kudo, Mire Lee, Diego Marcon, Tyler Mitchell, Ottessa Moshfegh, Jill Mulleady, Precious Okoyomon, Sondra Perry, Carol Rama, Cindy Sherman, Pol Taburet, Henry Taylor, Paul Thek, Rosemarie Trockel, Andra Ursuta, Kara Walker and Jordan Wolfson.

Mire Lee
Faces
September 10–October 25, 2025
Los Angeles

The work of Mire Lee fuses volatile substances with traditional sculptural materials and industrial remnants to produce haunting objects and installations. Equally beautiful and grotesque, her sinuous compositions twist into positions that evoke bodies, entrails and skeletal forms and touch upon notions of psychological tension and trauma. Following upon Lee’s major installation at Tate’s Turbine Hall last year, Monika Sprüth and Philomene Magers are pleased to present the artist’s first solo exhibition in Los Angeles.

territory
Mire Lee, Liu Yujia, Gala Porras-Kim, Tan Jing, Zhang Ruyi
April 27–July 27, 2024
Berlin

On the occasion of Gallery Weekend Berlin 2024, Monika Sprüth and Philomene Magers are pleased to present territory, a group show of works by Mire Lee, Liu Yujia, Gala Porras-Kim, Tan Jing, and Zhang Ruyi, curated by Shi-ne Oh. It will be Sprüth Magers’ first group exhibition focusing exclusively on female Asian artists. The title, territory, naturally associated with aggressive political policies and behaviours, questions the vast definitions of borders and boundaries and how they both limit and liberate our transgressive desires on physical as well as psychological terrain.

The five artists will transform all of the gallery’s spaces, premiering works that examine the bounds of the body, disgust and morality, and the restraints of language, history and memory. Diverse in media and approach, the artworks on view employ unpredictable materials to engage and challenge viewers’ senses.