Mire Lee (*1988) is known for her visceral, kinetic installations that probe the tension between eroticism, vulnerability and decay. Informed by her background in sculpture and influences from body horror, fetish culture and poetry, she experiments with an eclectic combination of industrial materials – including silicone, concrete, PVC tubing, lubricants, machinery, electric motors and pumps – to create works that teeter between growth and collapse. Her environments ooze, throb and rumble, evoking both bodily and mechanical functions and resembling living organisms that conjure a sense of the grotesque that is as seductive as it is unsettling.
Horror
Curated by Jill Mulleady
November 21, 2025–February 14, 2026
Los Angeles
Monika Sprüth and Philomene Magers are pleased to present Horror, an intergenerational group exhibition curated by Jill Mulleady. In conceiving the exhibition, Mulleady was inspired by the long history of horror in film and literature, as well as by Mike Kelley’s 1993 group exhibition and publication, The Uncanny, a curatorial statement which explored the complex interplay of recognition, memory, and repression. Over thirty years on, Horror takes Kelley’s project as a touchstone, moving beyond the psychological discomfort of the uncanny toward the explicit shock of horror.
With works by Dario Argento, Antonin Artaud, Oliver Bak, Bruce Conner, Mati Diop & Fatima Al Qadiri, Cyprien Gaillard, Jonathan Glazer, Anne Imhof, Arthur Jafa, Asger Jorn, Mike Kelley, Karen Kilimnik, Harmony Korine, Tetsumi Kudo, Mire Lee, Diego Marcon, Tyler Mitchell, Ottessa Moshfegh, Jill Mulleady, Precious Okoyomon, Sondra Perry, Carol Rama, Cindy Sherman, Pol Taburet, Henry Taylor, Paul Thek, Rosemarie Trockel, Andra Ursuta, Kara Walker and Jordan Wolfson.