Oliver Bak

Oliver Bak. Photo: Caspar Sejersens

 

Oliver Bak (*1992) has become known for his historically inspired, vibrant painterly topographies, which stem from a deep engagement with the materials, procedures and influences of painting. His meticulous practice that foregrounds texture and an original use of color produces multilayered surfaces brimming with art historical and literary references. On Bak’s canvases, his aptitude for invocations of the medium’s history entwines with the themes, images and atmosphere of avant-garde poetry and myths of decadence and destruction. Interested in how the stories that have defined collective imagination develop, he delves into one particular narrative at a time, which provides the starting point for each of his bodies of work.

 

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Bak’s textured surfaces evolve by applying thick coats of oil paint mixed with wax and reworking them in a prolonged process of addition and subtraction until his motifs flicker in degrees of opacity. Areas of his compositions reveal light layers of color diluted with turpentine, offering a view of forms lying beneath them that suggest we are dealing with remnants – ghostly figurations drifting in and out of vision. Most of Bak’s protagonists materialize between flowers, levitate and disappear into the ground of the painting or emerge from fields of pointillist flecks of color. Bak’s works oscillate between playful beauty and nebulous danger, addressing the tension between the visible and invisible and the eternal cycles of death and renewal. In his drawings, which are a vital part of his practice, Bak departs from his familiar method of adding and subtracting. Working on gray paper, he uses his fingers to smudge the graphite, creating depth in apparition-like images. Their subjects echo his works in paint, similarly incorporating natural imagery that navigates flourish and decay and explores inner existential conflict.

This natural pattern is represented especially well in Autumn tree (2024). A vivid exploration of color and imagination, it focuses on a lush tree that extends beyond the canvas borders and displays signs of decline as its leaves and bark become mottled. Shades of green shimmer through the browns, oranges and purples that have been reworked multiple times. Bak’s laborious technique results in a painting that makes time its business: the work decelerates the gaze and invites viewers to visualize the tall sycamore in all seasons – past and future.

The veil that separates the worlds, the real and the fictional, the living and the dead, is particularly thin in Bak’s paintings. In a synthesis of form and feeling, of reality and personal inner subjectivity, his layered works provide a space for contemplation, ultimately enabling the viewer to perceive the invisible.

 

Publication

 

Oliver Bak

Oliver Bak
Ghost Driver, or The Crowned Anarchist
Published by Sprüth Magers, 2024

On the occasion of Oliver Bak’s first exhibition with Sprüth Magers, authors Hilka Dirks, Nils Emmerichs and Louis Scherfig examine Bak’s artistic practice from a wide variety of perspectives, capturing the many layers and references in his work. The catalogue takes readers on a stroll through Oliver Bak’s pictorial surrealities.

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Details
Oliver Bak

Oliver Bak
Ghost Driver, or The Crowned Anarchist
Published by Sprüth Magers, 2024

On the occasion of Oliver Bak’s first exhibition with Sprüth Magers, authors Hilka Dirks, Nils Emmerichs and Louis Scherfig examine Bak’s artistic practice from a wide variety of perspectives, capturing the many layers and references in his work. The catalogue takes readers on a stroll through Oliver Bak’s pictorial surrealities.

Works
Oliver Bak
Oliver Bak
Sick with Bloom, 2022

Oliver Bak
Sick with Bloom, 2022
Oil on fabric
88 × 88 cm | 34 5/8 × 34 5/8 inches

Oliver Bak
Oliver Bak
Fall and Elevate, 2024

Oliver Bak
Fall and Elevate, 2024
Oil and wax on linen
198 × 187 cm | 78 × 73 5/8 inches

More views
Oliver Bak
Oliver Bak
Greyhound, ghost dog, 2024

Oliver Bak
Greyhound, ghost dog, 2024
Oil and wax on linen
114 × 81 cm | 44 7/8 × 32 inches

More views
Oliver Bak
Oliver Bak
Muterede Blomster, 2022

Oliver Bak
Muterede Blomster, 2022
Oil on canvas
52 x 69 cm | 20 1/2 x 27 1/8 inches

Oliver Bak
Oliver Bak
Satyr, 2024

Oliver Bak
Satyr, 2024
Oil and wax on canvas
87 × 66 cm | 34 1/4 × 26 inches

Oliver Bak
Oliver Bak
The Bloomer, 2024

Oliver Bak
The Bloomer, 2024
Oil and wax on linen
83 × 79 cm | 32 3/4 × 31 inches

More views
Oliver Bak
Oliver Bak
Two guest, 2024

Oliver Bak
Two guest, 2024
Pencil and watercolour on coloured paper
28 × 42 cm | 11 × 16 1/2 inches

More views
Oliver Bak
Oliver Bak
Bouquet, 2024

Oliver Bak
Bouquet, 2024
Oil and wax on linen
137 × 114 cm | 54 × 44 7/8 inches

More views
Oliver Bak
Oliver Bak
Autumn tree, 2024

Oliver Bak
Autumn tree, 2024
Oil and wax on linen
198 × 163 cm | 78 × 64 1/8 inches

More views
Oliver Bak
Oliver Bak
Daylight Sleep, 2024

Oliver Bak
Daylight Sleep, 2024
Oil on canvas
163 × 198 cm | 64 1/8 × 78 inches

image/svg+xml
Details
Oliver Bak

Oliver Bak
Sick with Bloom, 2022
Oil on fabric
88 × 88 cm | 34 5/8 × 34 5/8 inches

Oliver Bak
Sick with Bloom, 2022
Oliver Bak

Oliver Bak
Fall and Elevate, 2024
Oil and wax on linen
198 × 187 cm | 78 × 73 5/8 inches

Oliver Bak
Fall and Elevate, 2024
Oliver Bak
Oliver Bak

Oliver Bak
Fall and Elevate, 2024 (detail)

Oliver Bak
Fall and Elevate, 2024
Oliver Bak
Oliver Bak

Oliver Bak
Fall and Elevate, 2024 (detail)

Oliver Bak
Fall and Elevate, 2024
Oliver Bak

Oliver Bak
Greyhound, ghost dog, 2024
Oil and wax on linen
114 × 81 cm | 44 7/8 × 32 inches

Oliver Bak
Greyhound, ghost dog, 2024
Oliver Bak
Oliver Bak

Oliver Bak
Greyhound, ghost dog, 2024 (detail)

Oliver Bak
Greyhound, ghost dog, 2024
Oliver Bak
Oliver Bak

Oliver Bak
Greyhound, ghost dog, 2024 (detail)

Oliver Bak
Greyhound, ghost dog, 2024
Oliver Bak

Oliver Bak
Muterede Blomster, 2022
Oil on canvas
52 x 69 cm | 20 1/2 x 27 1/8 inches

Oliver Bak
Muterede Blomster, 2022
Oliver Bak

Oliver Bak
Satyr, 2024
Oil and wax on canvas
87 × 66 cm | 34 1/4 × 26 inches

Oliver Bak
Satyr, 2024
Oliver Bak

Oliver Bak
The Bloomer, 2024
Oil and wax on linen
83 × 79 cm | 32 3/4 × 31 inches

Oliver Bak
The Bloomer, 2024
Oliver Bak
Oliver Bak

Oliver Bak
The Bloomer, 2024 (detail)

Oliver Bak
The Bloomer, 2024
Oliver Bak

Oliver Bak
Two guest, 2024
Pencil and watercolour on coloured paper
28 × 42 cm | 11 × 16 1/2 inches

Oliver Bak
Two guest, 2024
Oliver Bak
Oliver Bak

Oliver Bak
Two guest, 2024 (detail)

Oliver Bak
Two guest, 2024
Oliver Bak

Oliver Bak
Bouquet, 2024
Oil and wax on linen
137 × 114 cm | 54 × 44 7/8 inches

Oliver Bak
Bouquet, 2024
Oliver Bak
Oliver Bak

Oliver Bak
Bouquet, 2024 (detail)

Oliver Bak
Bouquet, 2024
Oliver Bak

Oliver Bak
Autumn tree, 2024
Oil and wax on linen
198 × 163 cm | 78 × 64 1/8 inches

Oliver Bak
Autumn tree, 2024
Oliver Bak
Oliver Bak

Oliver Bak
Autumn tree, 2024 (detail)

Oliver Bak
Autumn tree, 2024
Oliver Bak

Oliver Bak
Daylight Sleep, 2024
Oil on canvas
163 × 198 cm | 64 1/8 × 78 inches

Oliver Bak
Daylight Sleep, 2024
Details
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Current and Upcoming
Oliver Bak
Oliver Bak, Poppyhead, 2024
Photo: Timo Ohler

The Flowers of Evil
Group Exhibition
Sammlung Scharf-Gerstenberg, Nationalgalerie – Staatliche Museen zu Berlin
Through May 4, 2025

Starting with Odilon Redon’s charcoal drawing Fleur du mal (The Flowers of Evil, 1880) in the Sammlung Scharf-Gerstenberg, this exhibition traces a path from early modern art to contemporary works, shedding light on the influence that Charles Baudelaire’s well-known, eponymous collection of poems has had on art. Alongside a selection of works directly related to the poems, such as Hannah Höch’s painting Les Fleurs du mal (1922–24) and Albert Birkle’s work Die kleinen Alten (1923), the exhibition also addresses individual topics such as beauty and decay or artifice and nature. The exhibition features around 120 works. In addition to paintings, drawings, and graphic art, the exhibition includes photographs, film clips, and digital media, as well as objects and installations.

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Exhibitions at Sprüth Magers
Oliver Bak

Oliver Bak
Ghost Driver, or The Crowned Anarchist
September 14–November 2, 2024
Berlin

The mystical scenes of painter Oliver Bak unite the spirits of the past and present. Drawing from fiction and the real, mythology and life, and the tangible and the subconscious, he constructs enigmatic narratives by conflating different fragments of reality. Bak’s pictorial worlds are propelled by constant synthesis and anchored in a deep understanding of the medium’s history. His mottled brushwork and magnetic use of colour evoke the dreamlike works of Symbolist, Surrealist and Nabi painters. Plants seem to sprout from the surface of his canvases and empyrean figures emerge from between leafy areas and flecks of light, breaking down spatial categories. Monika Sprüth and Philomene Magers are pleased to present Bak’s first exhibition at the Berlin gallery, marking the Danish artist’s debut show in Germany.

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Press

Oliver Bak
Artforum, online, review by Jens Asthoff, 2024

Geisterfahrer: Die Malerei des jungen Dänen Oliver Bak
Der Tagesspiegel, online, article by Dorothea Zwirner, September 20, 2024

Oliver Bak Exposes the Ghost Inside his Paintings
Ocula, article by Rory Mitchell, September 19, 2024

Shootingstar Oliver Bak: Zu schön, um wahr zu sein
der Freitag, online, article by Hilka Dirks, September 10, 2024

What’s with all the rusty painters?
Plaster Magazine, article by Laurie Barron, November 2, 2023

Biography

Oliver Bak (*1992, Copenhagen) lives and works in Copenhagen. Recent solo exhibitions include Ghost Driver, or The Crowned Anarchist, Sprüth Magers, Berlin (2024), Caves in the Sky, Cassius & Co, London (2023) and Sick with Bloom, ADZ Gallery, Lisbon (2022). From December 2024 to May 2025, Oliver Bak is part of the group exhibition The Flowers of Evil at the Sammlung Scharf-Gerstenberg, Nationalgalerie – Staatliche Museen zu Berlin.

Education
2014–21 Royal Danish Art Academy, Copenhagen, Denmark