Raum für phantasievolle Aktionen
Group Exhibition
Kunstmuseum Bonn
Through December 31, 2024

On the 30th anniversary of its presence along the Museum Mile, the Kunstmuseum Bonn is offering a comprehensive view of its collection of contemporary art, which is being freshly presented from new perspectives in twenty rooms. Even if the presentation shows the Kunstmuseum to be a special site for painting, fundamental roles in the argumentation are nonetheless played by installation, film and photography.

Mondi Possibili
Henni Alftan, John Baldessari, Cao Fei, Thomas Demand, Thea Djordjadze, Lucy Dodd, Robert Elfgen, Peter Fischli David Weiss, Sylvie Fleury, Jenny Holzer, Donald Judd, Karen Kilimnik, Barbara Kruger, Louise Lawler, David Ostrowski, Michail Pirgelis, Sterling Ruby, Thomas Scheibitz, Andreas Schulze, Hyun-Sook Song, Robert Therrien, Rosemarie Trockel, Kaari Upson, Andrea Zittel
August 31–September 14, 2023
Seoul

Mondi Possibili highlights the interplay between art and design and explores the many ways in which experimentation with material, technique and scale can reveal the hidden narratives, quiet drama and humor in the everyday items that furnish our lives as well as our imaginations. Connected through a paradigm of the possible, all artworks on show examine familiar objects – citing, celebrating, adapting or appropriating them – offering surprising, playful or unsettling approaches that open up a range of “possible worlds.” This will be the fourth edition of Sprüth Magers’ Mondi Possibili – first titled by Pasquale Leccese – showcasing significant themes in the selected artists’ works as well as the gallery’s longstanding heritage. Its three previous iterations were presented in 1989, 2006 and 2007 in Cologne, where the gallery’s history is firmly rooted, and art and design have intersected for many decades.

Thomas Scheibitz
Satellitensaal
September 17, 2022–March 25, 2023
Berlin

Monika Sprüth and Philomene Magers are pleased to announce the solo exhibition Satellitensaal by Thomas Scheibitz at Sprüth Magers Window in Berlin. The exhibition title is a neologism and – as is often the case with Scheibitz – stands for concepts and things that are incompatible as such, yet held together by a concurrent poetic or artistic level.

Thomas Scheibitz
Black Swan
October 8–November 20, 2021
London

Black Swan is Thomas Scheibitz's first solo exhibition at the London gallery since 2010. In a practice that creates intrigue through a movement between the precipices of figuration and abstraction, Scheibitz looks to this liminal space, drawing from both art historical references and his vast archive of printed material to offer a complex visual of our time. The definition of the term and the exhibition title Black Swan describes a singular event that occurs unexpectedly, typically an occurrence that is considered to have a low probability but high impact, and only in hindsight is determined to have in fact been predictable. Thus, the title of the exhibition is a metaphor for the present time as well as for painting or the painting itself.

Mies in Mind
John Bock, Thomas Demand, Thea Djordjadze, Jenny Holzer, Kraftwerk, Reinhard Mucha, Otto Piene, Thomas Ruff, Thomas Scheibitz
August 20–September 4, 2021
Berlin

As part of the exhibition parcours Mies In Mind, initiated by INDEX Berlin and taking place on the occasion of the reopening of the Neue Nationalgalerie, Sprüth Magers is showcasing works by John Bock, Thomas Demand, Thea Djordjadze, Jenny Holzer, Reinhard Mucha, Otto Piene, Thomas Ruff and Thomas Scheibitz in a group exhibition that pays tribute to the architect Ludwig Mies van der Rohe and his famous building.

GO FIGURE!?
Henni Alftan, John Baldessari, Cao Fei, George Condo, Diane Dal-Pra, Thomas Demand, Alex Foxton, Lenz Geerk, Elizabeth Glaessner, Matthew Angelo Harrison, Oscar yi Hou, Gary Hume, Clementine Keith-Roach, Karen Kilimnik, Barbara Kruger, Louise Lawler, Jo Messer, Pamela Rosenkranz, Sterling Ruby, Thomas Scheibitz, Cindy Sherman, Rosemarie Trockel, Kara Walker, Andro Wekua
May 19–May 26, 2021

GO FIGURE!? is an online exhibition in collaboration with Ed Tang and Jonathan Cheung. It presents works by artists from Sprüth Magers roster alongside a selection of emerging artists from around the globe and across various media, aiming to welcome a playful dialogue between the exhibiting artists and works.

local talent
Ketuta Alexi-Meskhishvili, Miriam Böhm, Marieta Chirulescu, Tacita Dean, Thomas Demand, Thea Djordjadze, Jason Dodge, Sam Durant, Olafur Eliasson, Haris Epaminonda, Omer Fast, Ceal Floyer, Mathew Hale, Mathew Hale / Eddie Ruscha, Oliver Laric, Henrik Olesen, Manfred Pernice, Gerwald Rockenschaub, Anri Sala, Thomas Scheibitz, Andreas Slominski, Thomas Struth, Akinori Tao, Rosemarie Trockel, Corinne Wasmuht
July 4–August 22, 2020
Berlin

Thomas Scheibitz
The Hunter in the Snow
September 14–October 26, 2018
Los Angeles

Over the last two decades, Thomas Scheibitz has developed a distinct visual vocabulary that moves seamlessly between figuration and abstraction. Informed by the systems and codes that structure both the world and our understanding of it, his paintings and sculptures present complexly layered, tectonic spaces in which forms and figures hang in careful balance with one another. Sprüth Magers is pleased to present the German artist’s first solo exhibition in Los Angeles since 2001, featuring a selection of recent works that display the breadth of subjects, references, and visual tropes which circulate within the artist’s wide-ranging practice.

Thomas Scheibitz
Radiopictures
September 18–November 1, 2014
Berlin

Already in the title of the exhibition Radiopictures, Thomas Scheibitz demonstrates that his artistic thinking, in addition to tectonics, scale, and proportion, also revolves around time-based media: music, film, text. Temporal aspects, such as simultaneity and continuum, are for him further dimensions of composition.

Thomas Scheibitz
mk/ULTRA
September 23–October 29, 2011
Berlin

For his new exhibition at Sprüth Magers Berlin, Thomas Scheibitz has devised a specific configuration of works for the gallery space, which he has further transformed by incorporating a column into the existing architecture. This sculptural intervention with the coated pillar alters the perception of the space and historicises its basic structure. A similar interaction between painterly surfaces and three-dimensional volumes is set in motion in object-based works such as the sculpture Terrasse (2011) or the relief If Seven was Nine (2011): by deploying the materiality of rust – a product of corrosion – or the haptic qualities and structure of coloured fabric, Scheibitz uses untypical materials to imitate monochrome painting and its distinctive surface properties.

Thomas Scheibitz
A moving plan B – chapter TWO
September 17–October 30, 2010
London

Sharp lines, interlocking diagonals, triangular shapes and grid framework make up the artistic vocabulary of Thomas Scheibitz, all of which are clearly visible in his frieze of works on paper entitled A moving plan B, 2010.
The repetitive application of the vivid red, blue, yellow and green reveals how the artist pursues a reduction of form through the use of intertwining flat planes of colour. When encountering A moving plan B, 2010, the viewer is presented with a completed work which has progressed from preliminary sketches, drawings and photographs, all of which are used by the artist to construct a ‘storyboard’ or plan for a new series of work.

Thomas Scheibitz
The Goldilocks Zone
October 18–November 22, 2008
Berlin

In this exhibition Thomas Scheibitz has devoted himself exclusively to sculpture and the sculptural surface. A configuration of around thirty objects marks out the exhibition space in a field-like arrangement and shows possible areas of interaction between the autonomous sculpture, its arrangement in space and concepts such as scale and proportion.

The sculptural composition within the gallery space is directly related to the title of the exhibition. In astronomy, the ‘Goldilocks Zone’ describes a habitable zone of space – an active region where the surface of every planet fulfils the minimal conditions necessary for life.

Thomas Scheibitz
Casa Amalia Index
May 9–July 29, 2006
Cologne

With the paintings, sculptures and one wall relief which are shown under the exhibition title Casa Amalia Index, Thomas Scheibitz broaches the issue of a not exactly defined boundary: between painting and sculpture, between architecture and fine arts, between recognizability of form and fiction. Thus the artist's works refer to an intermediate zone in which an own pictural world arises by a new definition of form.

Mondi Possibili
Thea Djordjadze, Peter Fischli David Weiss, Claus Föttinger, Thomas Grünfeld, Jenny Holzer, Stefan Kern, Joseph Kosuth, Louise Lawler, Michail Pirgelis, Michelangelo Pistoletto, Thomas Scheibitz, Andreas Schulze, Cindy Sherman, Rosemarie Trockel, Franz West
January 17–April 7, 2006
Cologne

As part of the PASSAGEN, the supporting programme of the International Furniture Fair in Cologne, at the beginning of the year Monika Sprüth and Philomene Magers present a new edition of the exhibition “Mondi Possibili”. The works on display deal with the subject of furniture from a variety of angles: as citation, as homage, as adaptation, or as copy. Others are usable objects that hardly differ from their reference objects in the domain of design or furniture.

Malerei 7
Peter Fischli David Weiss, George Condo, Axel Kasseböhmer, Frances Scholz, Andreas Schulze, Walter Dahn, Siegfried Anzinger, Thomas Scheibitz
October 30, 2003–January 31, 2004
Cologne