“I realized there was this whole image bank that people carried around with them, and I could manipulate it just by suggestions and distortions. Of course they were all about kissing and guns.” –John Baldessari
In his impressive and influential oeuvre spanning almost six decades, John Baldessari consistently exposed the complex and ambiguous narrative potential of images. Drawing from a carefully collected pool of visual signs, he explored how meaning is not necessarily an inherent quality of an image, but is created, deconstructed or obscured when taken out of context, altered or combined with other images or words.
The first exhibition of the artist’s maquettes in over a decade, The Story Underneath assembles over 75 collages, photographs, film stills and drawings dating from the early 1980s to the early 2000s, all selected from a large body of rarely seen work.
The first exhibition of the artist’s maquettes in over a decade, The Story Underneath assembles over 75 collages, photographs, film stills and drawings dating from the early 1980s to the early 2000s, all selected from a large body of rarely seen work.
“The world is not the external world as we know it. I use images from the television, from movies, from video, from other material.”–John Baldessari
Reflecting the artist’s physical manipulations of his source material and the process of his pictorial reinventions, these works capture the heightened moment of transformation when commonplace images turn into artworks by Baldessari.
Reflecting the artist’s physical manipulations of his source material and the process of his pictorial reinventions, these works capture the heightened moment of transformation when commonplace images turn into artworks by Baldessari.
Created as preparatory works and sketches for his large-scale pieces, the artist’s maquettes grant extraordinary insight into his particular way of seeing and composing.
Created as preparatory works and sketches for his large-scale pieces, the artist’s maquettes grant extraordinary insight into his particular way of seeing and composing.
Many of these works on paper reveal the original sources—film stills, lobby cards, found photographs—of the vast collection from which he drew inspiration, selected, extracted, removed, cut, reassembled and combined elements to create his works. Others illuminate Baldessari’s art of juxtaposition and combination of images and words.
Many of these works on paper reveal the original sources—film stills, lobby cards, found photographs—of the vast collection from which he drew inspiration, selected, extracted, removed, cut, reassembled and combined elements to create his works. Others illuminate Baldessari’s art of juxtaposition and combination of images and words.
Baldessari considered his maquettes to be artworks themselves, and they reflect how he anticipated the manifold ways in which we deal with and manipulate images today.
Baldessari considered his maquettes to be artworks themselves, and they reflect how he anticipated the manifold ways in which we deal with and manipulate images today.
The Story Underneath presents several of the dominant formal interventions and artistic strategies that Baldessari employed throughout his career. Some maquettes in the exhibition consist of singular film stills and lobby cards, drawn on directly with crayon, outlining elements which were to be cropped and obscured with paint in the finished works.
The Story Underneath presents several of the dominant formal interventions and artistic strategies that Baldessari employed throughout his career. Some maquettes in the exhibition consist of singular film stills and lobby cards, drawn on directly with crayon, outlining elements which were to be cropped and obscured with paint in the finished works.
“What I’m looking at in a photograph is usually the stuff that’s marginal . . . It’s the stuff you see out of the corner of your eye, rather than what you’d normally focus on.” –John Baldessari
Mostly assembled from photocopies of the photographic sources, these maquettes reveal the copy machine as an essential tool in Baldessari’s practice, easily replicated, replaced or taped onto each other to maximize compositional possibilities.
Mostly assembled from photocopies of the photographic sources, these maquettes reveal the copy machine as an essential tool in Baldessari’s practice, easily replicated, replaced or taped onto each other to maximize compositional possibilities.
A final section of the exhibition examines another cornerstone in Baldessari’s practice: the art of removal. Covering faces with dots or painting over whole figures, he made subjects interchangeable and directed attention toward the surrounding contexts in which they appear.
As The Story Underneath makes clear, the maquettes were a vital ground for Baldessari, where he could experiment with the images at hand, test the limits of narrative, and explore various alternatives on the way to his final celebrated works of art.
On the occasion of the exhibition, Sprüth Magers published a catalogue with full color illustrations and an essay by Nana Bahlmann.
John Baldessari
The Story Underneath
Curated by Nana Bahlmann
September 9–October 29, 2022