Upcoming Exhibitions

Kara Walker – Kara Elizabeth Walker presents – Dispatches from A—and the – Museum of Half-remembered Histories – Berlin

Kara Walker
Kara Elizabeth Walker presents
Dispatches from A—
and the
Museum of Half-remembered Histories
November 14, 2025–April 4, 2026
Public Reception: November 13, 6–8pm

Berlin

Kara Walker is acclaimed for her sophisticated yet provocative imagery, deeply rooted in established pictorial traditions. Across various mediums, such as painting, sculpture, filmmaking and her renowned cut-paper silhouettes, Walker’s body of work scrutinizes themes of race, gender, sexuality, and violence…

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Gretchen Bender – Political Entertainment – Berlin

Gretchen Bender
Political Entertainment
November 14, 2025–April 4, 2026
Public Reception: November 13, 6–8pm

Berlin

Sprüth Magers is pleased to present Gretchen Bender’s series Top Ten Grossing Films of 1988 at the Berlin gallery, shown for the first time since their 1989 debut. The ten sculptures, made of black crumpled heat-set vinyl and backlit by neon, illuminate the titles of 1988’s highest-grossing films, compiled by Bender during her constant scrutinising of the daily Hollywood magazine, Variety…

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Horror – Group Exhibition – Los Angeles

Horror
Dario Argento, Antonin Artaud, Oliver Bak, Bruce Conner, Mati Diop & Fatima Al Qadiri, Cyprien Gaillard, Anne Imhof, Arthur Jafa, Asger Jorn, Mike Kelley, Karen Kilimnik, Harmony Korine, Tetsumi Kudo, Mire Lee, Diego Marcon, Tyler Mitchell, Ottessa Moshfegh, Jill Mulleady, Precious Okoyomon, Sondra Perry, Carol Rama, Cindy Sherman, Pol Taburet, Henry Taylor, Paul Thek, Rosemarie Trockel, Andra Ursuta, Kara Walker and Jordan Wolfson
November 21, 2025–February 14, 2026
Public Reception: November 20, 6–8pm

Los Angeles

Monika Sprüth and Philomene Magers are pleased to present Horror, a group exhibition organized by Jill Mulleady featuring an intergenerational group of artists. The exhibition presents horror as both symptom and strategy, illuminating seen and unseen forces that inscribe themselves on human experience. Rooted in the shadows of trauma, repression, and social unrest, horror channels our deepest anxieties and weaves fictions that probe the intersection of societal collapse and psychological unease. Whether evoking Cold War paranoia, civil rights conflicts, radiation fears, surveillance anxieties, or the existential dread and hyperreality of our times, the works in the exhibition quietly surface the intimate, often suppressed tensions embedded within collective and individual realities. Here, horror is neither simply spectacle nor genre, but rather a potent aesthetic and psychological resource—a visceral means of navigating the contradictions that define our era.